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The series is written with a very dynamic screenplay. Much of what is shown is fictionalized-it couldn't have really happened-but that's normal when watching a series, especially a Netflix one made to appeal to a wide audience. It doesn't delve deeply into many interesting dynamics, but the show does attempt to explore various aspects of a music software that, for better or worse, changed the music industry.

It's repeatedly described as a perfectly programmed software. As a long-time Spotify Premium user, I still don't consider it the best music app out there. Its main advantage, compared to others, is its ability to handle live recordings and concept albums without micro-pauses (and the series does an excellent job explaining why).

The final episode is like: Servant of the People by Zelenskyy meets Jodorowsky. I liked it because it tries to convey a message while fully aware of being a consumable product with an expiration date, rather than a great series that will go down in history. It offers strong criticism, but its flaw is that it becomes a bit unrealistic and utopian, like the Communist Party. Nevertheless, it doesn't shy away from focusing on the real issues between artists and platforms.

"Everybody got to evelate from the norm" (Vital Signs by Rush)

The Big Lez Show, Danger 5, Italian Spiderman, Smiling Friends, Bushworld Adventures, Yolo, Solar Opposites.

These are just some of the title of the people behind this new TV Show, created by the prolific mind of Australian animator Michael Cusack.

Koala Man is a tv show about a regular mid-age family dad that try his best to make the right thing, even if there is no reason to do that and even if his family is experiencing a crisis. There is honesty in the frustration lived by Kevin Williams/Koala Man and episode after episode you start to understand that his obsession with the justice is just to cover other kind of issues. All the supernatural events connected to the routine of the simple town of Depto are just the norm, a metaphor to analyze the Australian society (Australia that could be the Netherlands, the UK, or every random not so big country of the Europe) in the era post covid, an era self-aware of his own unselfishness and inadequacy, envy of the illusion of the America dream.

The Australian Time zone: The narrative of the alternative story backround created because of Australia Time zone (no spoiler don't worry) is probably the most superb part of this not so silly cartoon, something similar to the alternate storyline written by Alan Moore in Watchmen. I'm not joking.

Excellent Acting with a really great cast.

A great music direction composed by Brendan Caulfield Oustanding Animations (The Emu episode have one of the greatest animation and music I ever saw for a first season tv show episode).

If you like only one of the title I wrote at the beginning of this review, you will love this show.

If this review was a song from Tenacious D , the lyrics presumably would sounds like this:

This is not the greatest movie in the world, no. This is just a tribute.

Everything in the movie is a sequel that we don't expected, and we probably don't deserve. Callbacks and Nostalgia are used not to make the public happy, are just there for a specific purpose that you will discover after the first half of the movie. This is not even Meta in the common sense. This is just the only sequel possible. If you don't want to know nobody will force you, because this movie will hurt you.

You don't laugh a lot, you probably cry a lot especially if you think what is happened in the time between clerks 2 and Clerks 3.

Kevin Smith end his saga in the most heart breaking way possible.