likhinn

If you are someone so keen on movies having a message, 1971 Beyond Borders have messages written all over it. The ultimate one is that wars shouldn't be there. The format here is very simple. You can very easily predict who all are going to die in the war field and what will be that sentimental dialogue which will echo when they die. There is nothing tactically amusing about the war field that gets depicted here and there are a lot of "Sahadevan" worshipping scenes which looks too tacky. From the initial Georgia sequence to the 1971 story, there is this blatant India worshipping through dialogues which looks highly dramatic. If there was a natural feel in Pakistanis having respect for us, things would have looked a bit more real. Seeing our army getting respect is indeed a good feeling, but pushing it to a level where a stabbed Pakistani soldier's last words are "Maan Gaye" (meaning he agrees that you are great) is a bit awkward.

1971 Beyond Borders hasn't really explored the actor in Mohanlal in an attractive way. He has two tones in the film, one where he is the friendly guy in his hometown and the other where he is a strict officer in the border. In both versions he is playing this character that is being frequently hailed by everyone. Arunoday Singh who has mostly got forgettable roles in Bollywood looked more real and sensible in this film. Well Allu Sirish is the market widener for this film. The writing of that character isn't that smooth and for your information Sahadevan says "Thank You Buddy" to him in one scene. Asha Sharath, Sudheer Karamana, Renji Panicker, Devan, Saiju Kurup, Manikkuttan and several others are there in the elaborate cast with minimal roles.