fschultz-99932
Joined Feb 2017
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fschultz-99932's rating
This historical play was filmed earlier (1963) by non other than Luchino Visconti with a cast of star actors (Burt Lancaster, Alain Delon and Claudia Cardinale).
So, it's no less than a huge achievement that a new generation of actors succeeded in making this adaptation of 'Il Gattopardo' another milestone.
Especially Kim Rossi Stuart, Benedetta Porcaroli and the young Deva Cassel make a lasting impression in this remake.
Writer Giuseppe Tomasi di Lampedusa himself lived a large part of his life on the island of Sicily. And like the main character, Don Fabrizio, he also was of noble origins.
As the book, the mini-series tells of the consequences the changing course of history in (late 19th century) Italy has for Don Fabrizio's family through an intricate maze of relations.
While telling this story director Tom Shankland and cinematographer Nicolai Brüel did not forget to convey the love for the Sicilian landscape, that is part of the family's sense of belonging there.
So, it's no less than a huge achievement that a new generation of actors succeeded in making this adaptation of 'Il Gattopardo' another milestone.
Especially Kim Rossi Stuart, Benedetta Porcaroli and the young Deva Cassel make a lasting impression in this remake.
Writer Giuseppe Tomasi di Lampedusa himself lived a large part of his life on the island of Sicily. And like the main character, Don Fabrizio, he also was of noble origins.
As the book, the mini-series tells of the consequences the changing course of history in (late 19th century) Italy has for Don Fabrizio's family through an intricate maze of relations.
While telling this story director Tom Shankland and cinematographer Nicolai Brüel did not forget to convey the love for the Sicilian landscape, that is part of the family's sense of belonging there.
This is a movie which encompasses all the elements of what good cinematography intends to be: using cameras, light and sound to create a world of it's own.
Director Yorgos Lanthimos based his motion picture on Alasdair Gray's novel from 1992 and turned it into a phantasmagoric narrative.
And it's the way this narrative is being presented which makes it such an overwhelming experience.
Take, for instance, the alternating use of black-and-white and colour for certain scenes.
Talking about colour: the artwork emphasises the scenes taking place abroad, adding an extra dimension.
Then there's the inextricable role played by the music composed by Jerskin Fendrix!
Also the costumes designed by Holly Waddington look almost natural om Emma Stone, but please take a closer look to see the craftsmanship.
Now that we mentioned her name, let's be clear: her's is an astonishing performance, which should be awarded accordingly.
Reading this review you might think 'OK, I get it: its arty farty, right?' Don't be mistaken, underneath it all there are layers of truth, which could be summarised by the question: 'What exactly is the nature of a human being?' Foremost though, immerse yourself in 'Poor Things' and enjoy!
Director Yorgos Lanthimos based his motion picture on Alasdair Gray's novel from 1992 and turned it into a phantasmagoric narrative.
And it's the way this narrative is being presented which makes it such an overwhelming experience.
Take, for instance, the alternating use of black-and-white and colour for certain scenes.
Talking about colour: the artwork emphasises the scenes taking place abroad, adding an extra dimension.
Then there's the inextricable role played by the music composed by Jerskin Fendrix!
Also the costumes designed by Holly Waddington look almost natural om Emma Stone, but please take a closer look to see the craftsmanship.
Now that we mentioned her name, let's be clear: her's is an astonishing performance, which should be awarded accordingly.
Reading this review you might think 'OK, I get it: its arty farty, right?' Don't be mistaken, underneath it all there are layers of truth, which could be summarised by the question: 'What exactly is the nature of a human being?' Foremost though, immerse yourself in 'Poor Things' and enjoy!
First of all we should be aware that Jane Austen's Emma was published in 1815 and that we're looking at a costume drama, exquisitely filmed by Christopher Blauvelt.
Furthermore it's well known that Jane Austen was no more charitable than Charlotte Brontë in her treatment of fools of either sex, be it men or women.
That's exactly what Eleanor Catton's screenplay emphasizes: the foolishness of human love and human will.
Whether it's Emma's own behaviour or that of her friend Harriet Smith (played by Mia Goth), as well as men like the reverend mr. Elton (Josh O'Connor) or Frank Churchhill (Callum Turner).
Autumn de Wilde adds the right amount of irony in her direction, for instance in the scenes that take place in church.
Bill Nighy (as Emma's father) perfectly exemplifies that feeling of irony.
Credits also to costume designer Alexandra Byrne, whose creations would undoubtedly would have pleased Oliver Goldsmith (remember his essay 'On Dress').
It's a comedy and as such it's fun to watch.
You should see 'Honi soit qui mal y pense!'
Furthermore it's well known that Jane Austen was no more charitable than Charlotte Brontë in her treatment of fools of either sex, be it men or women.
That's exactly what Eleanor Catton's screenplay emphasizes: the foolishness of human love and human will.
Whether it's Emma's own behaviour or that of her friend Harriet Smith (played by Mia Goth), as well as men like the reverend mr. Elton (Josh O'Connor) or Frank Churchhill (Callum Turner).
Autumn de Wilde adds the right amount of irony in her direction, for instance in the scenes that take place in church.
Bill Nighy (as Emma's father) perfectly exemplifies that feeling of irony.
Credits also to costume designer Alexandra Byrne, whose creations would undoubtedly would have pleased Oliver Goldsmith (remember his essay 'On Dress').
It's a comedy and as such it's fun to watch.
You should see 'Honi soit qui mal y pense!'