cuzinit-90838

In a nation where the rule of law seems to be unraveling and divisions run deep, watching *High Potential* each week is a welcome breath of fresh air. It isn't just the intriguing cases that captivate us-it's the depth of the characters that truly makes the show shine. One rarely discussed yet glaring issue today is how disinformation sows discord, pitting federal and local law enforcement against one another. This conflict mirrors the reality in many states, where officials must battle the federal government over basic humanitarian rights-debates that shouldn't even exist in 2025.

*High Potential* tackles these challenges head-on, especially in its latest episode, which carries one clear, unwavering message: the only way forward is together. Even amid widespread division and chaos, the show reminds us to take time to appreciate what we value and to cherish the good moments unfolding around us in the midst of the chaos.

Morgan's character stands out as one of the best female leads I've seen in years. She is well rounded-not only a badass in her wardrobe but also a formidable badass in heart and intellect. Her deep care for people shines through, and her actions on the force deliver a powerful message: if we focus on what we want rather than what we fear, we can move forward and still make progress. The show also explores how, in a world where our thoughts can lead us astray, some characters choose to embrace darker paths, but those paths don't have to include us. We can and should stand against them and do what's right even when it isn't easy and demands much from us. This resonates throughout every single character on the show.

The chemistry among the entire cast is unparalleled, arguably the best I've witnessed in a police or crime drama series. Their seamless interactions and authentic performances speak not only to their talent but also to their inherent humanity. You can stage a scene, but you can't fake the integrity, personal strength, and dedication that imbue an actor's performance with true soul.

I commend the cast and crew of *High Potential* for delivering a series that stands out not only for its compelling content but also for the humanity and unifying messages woven throughout its narrative. Police and Crime dramas have a unique ability to unite us in ways few other genres can. They compel us to confront our insecurities, fears, and innermost selves through our connection with the characters on screen, encouraging us to see reflections of ourselves in everyone we encounter and prompting us to consider life as a whole-even when it forces us to face truths we'd rather ignore. Not every crime drama manages this successfully, but *High Potential* is a show the world desperately needs right now-a show that unites us through our differences and our similarities on a deeply human level.

Words cannot describe the absolute enthusiasm I had going into That 90s Show. It really was an amazing feat to know that the cast we loved and knew from That 70s Show we're returning. Nothing was more painful than Eric's replacement in the prior 70s Show. So the chance to see Topher Grace yet again is groundbreaking honestly.

The original cast hits home runs as expected, but their child counterparts, yeah... Not so much. Now this may not be their fault at all. In many aspects the shows treatment of child actors seems to be that of, "Ok now act like you're on a Disney Channel TV show like Hannah Montana or something". I get that they're trying to capture some 90s TV Nostalgia possibly, but the forced nature of the child cast and their lack of ability to really give depth in their acting like the original cast did when they themselves were younger, is a big let down. It all comes down to casting and directing and it just feels like somebody dropped the ball in one of those aspects. Many might think it's harsh to judge the acting of the kids. But that's the business they've entered. It would be disingenuous to not do so when you do for everyone else. There's also the fact that there's plenty of shows with child actors who more than land their roles. That 90s show right now is not it... YET. I think with another season and feedback listened to from the first would prove to be a good opportunity to really push the cast forward.

However I may be putting the cart before the horse as this is only the first episode in the series. Everything is still new for the cast. They're still developing on camera charisma. Perhaps as we continue to move through the ups and downs of the first season things will get better. I'm crossing my fingers. I also am afraid that with Netflix who is as cancel happy with series as an executioner at the gallows , the show may not make it to a second season. I am hoping that's not the case and that Netflix holds off on giving the executioner that release he so desires.

I'm not sure Why Netflix put this out with this crowd. This was the most dead, uptight crowd for a Comedy special I have ever seen in my life. They could have done this in a morgue and at least one of the bodies would have farted here and there because that would be more reaction from the crowd than this theater had. The comedians were all pretty much really good, but you could tell the crowd was bringing them down and killing the vibe of the whole thing. Amy was trying to butter them up as much as possible. But when you have a crowd like this, it kills a show. It felt like these people thought they were going to a PTA meeting and ended up at a comedy show with no clue what to do with themselves. I mean seriously. Netflix couldn't even just pump in some fake laughter to the theater to sort of get the crowd going better? That's a thing they can do you know? I felt bad. It felt like watching comedians bomb, not because of their material which was good, but because the crowd was like a morgue. Seriously! Film multiple takes, multiple crowds. Get the best ones. Don't just put out a show with a dead crowd. They might as well have had a room full of caskets instead of people in chairs. This is why people don't like Netflix so much anymore. It's not password sharing, it's lack of decently produced and polished material that is the problem. You don't put out a live comedy special with a crowd who thinks they're at the library. You just don't. You do it over and over until you get it right and you use production means to make it better. It just felt so awkward and the comedians felt just as akward, you could tell. Bad call Netflix. Bad call. I feel bad for the Comedians who don't get a good exposure now because of the tension and just overall horribleness of that crowd.