Peervo
Joined Apr 2017
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Ratings7
Peervo's rating
Reviews3
Peervo's rating
I'm a musician, and there is one thing I absolutely HATE: careless, sloppy, unsystematic soundtracks, especially in documentary films. I know that it's hard to discover good music, but: COME ON! If it's true, Traceroute had a *total* budget of $15,000. There are no excuses anymore!
A great soundtrack is more than just a collection of great songs. A great soundtrack pulls a story along while somehow effortlessly blending into the background. The right one can help define a movie; a terrible one can ruin an otherwise decent film.
Traceroute relies heavily on its amazing soundtrack to convey the mood of childhood and rebellion, nostalgia and counter-culture, traveling and arriving. There's a retro-electronic vibe present in most of the tracks, but also classical music, and all-time favorites like Vera Lynn's 'We'll Meet Again.'
I'm glad the track list is here on IMDb. I need it for my own road trips!
A great soundtrack is more than just a collection of great songs. A great soundtrack pulls a story along while somehow effortlessly blending into the background. The right one can help define a movie; a terrible one can ruin an otherwise decent film.
Traceroute relies heavily on its amazing soundtrack to convey the mood of childhood and rebellion, nostalgia and counter-culture, traveling and arriving. There's a retro-electronic vibe present in most of the tracks, but also classical music, and all-time favorites like Vera Lynn's 'We'll Meet Again.'
I'm glad the track list is here on IMDb. I need it for my own road trips!
I REALLY like the approach the filmmakers took to present the work of legendary electronic music pioneer Dr. Moog. The film features scenes of Dr. Moog interacting with various musical artists who view Moog as an influential figure in the history of electronic music.
The film is not a comprehensive history of electronic music nor does it serve as a chronological history of the development of the Moog synthesizer. There is no narration, rather the scenes feature candid conversation and interviews that serve more as a tribute to Moog than a documentary.
Critics called the film structureless. Maybe. I think that's a feature, not a bug.
The film is not a comprehensive history of electronic music nor does it serve as a chronological history of the development of the Moog synthesizer. There is no narration, rather the scenes feature candid conversation and interviews that serve more as a tribute to Moog than a documentary.
Critics called the film structureless. Maybe. I think that's a feature, not a bug.
I Dream Of Wires is an independent documentary about the history, demise and resurgence of the modular synthesizer. It features interviews with modular musicians, inventors and enthusiasts, including Trent Reznor (Nine Inch Nails), Gary Numan, Vince Clarke (Erasure), Morton Subotnick, Chris Carter (Throbbing Gristle), Daniel Miller, Carl Craig, Flood, Cevin Key (Skinny Puppy), James Holden, Factory Floor, Legowelt, Clark, John Foxx and Bernie Krause and more. I enjoyed this documentary a lot.