WillInDenmark
Joined Jul 2017
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges2
To learn how to earn badges, go to the badges help page.
Ratings497
WillInDenmark's rating
Reviews39
WillInDenmark's rating
Tom Selleck shines on the screen as Peter Mitchell, one of the three men unexpectedly entrusted with caring for a baby. Selleck's charisma and wit bring a magnetic quality to his performance, making him a standout in the film.
Alongside Selleck, Ted Danson portrays Jack Holden, and Steve Guttenberg takes on the role of Michael Kellam. The chemistry among the trio is evident, creating a strong foundation for the comedic moments in the movie. Their interactions and camaraderie give the film an enjoyable and lighthearted dynamic.
One of the movie's charms lies in its 80s setting. The fashion choices, hairstyles, and overall aesthetics transport viewers back in time, offering a nostalgic experience. It's a treat to witness the fashion trends and cultural references that defined the era, allowing audiences to indulge in a sense of nostalgia while watching the film.
Additionally, "Three Men and a Baby" incorporates a side plot involving a drug package that gets mixed up with the baby's belongings. While this subplot doesn't contribute significantly to the overall story, it does give the characters something additional to contend with, adding a layer of intrigue and creating opportunities for comedic mishaps.
Despite the premise of men taking care of a baby seeming somewhat outdated by today's standards, the movie remains enjoyable due to the combined talents of Selleck, Danson, and Guttenberg. Their performances, along with the nostalgic 80s setting and fashion, contribute to the film's overall charm. While the drug side plot may not be central to the story, it adds an element of excitement and provides the characters with a quirky adventure.
Alongside Selleck, Ted Danson portrays Jack Holden, and Steve Guttenberg takes on the role of Michael Kellam. The chemistry among the trio is evident, creating a strong foundation for the comedic moments in the movie. Their interactions and camaraderie give the film an enjoyable and lighthearted dynamic.
One of the movie's charms lies in its 80s setting. The fashion choices, hairstyles, and overall aesthetics transport viewers back in time, offering a nostalgic experience. It's a treat to witness the fashion trends and cultural references that defined the era, allowing audiences to indulge in a sense of nostalgia while watching the film.
Additionally, "Three Men and a Baby" incorporates a side plot involving a drug package that gets mixed up with the baby's belongings. While this subplot doesn't contribute significantly to the overall story, it does give the characters something additional to contend with, adding a layer of intrigue and creating opportunities for comedic mishaps.
Despite the premise of men taking care of a baby seeming somewhat outdated by today's standards, the movie remains enjoyable due to the combined talents of Selleck, Danson, and Guttenberg. Their performances, along with the nostalgic 80s setting and fashion, contribute to the film's overall charm. While the drug side plot may not be central to the story, it adds an element of excitement and provides the characters with a quirky adventure.
"Elsker dig for tiden" is a delightful Danish film that beautifully captures the complexities of being in a relationship that defies expectations. With stellar performances and a fresh perspective, this romantic comedy deserves 8 out of 10 stars.
Anna and Thomas's initial encounter is far from love at first sight, but as their story unfolds, we witness their journey through a stormy romance filled with everyday challenges and personal crises. What sets "Elsker dig for tiden" apart is its ability to deconstruct traditional romantic comedy tropes and infuse them with a Danish context that feels relatable and authentic.
Julie Rudbæk delivers a remarkable performance as Anna, blending humor and vulnerability with ease. Jesper Zuschlag shines in his supporting role as Thomas's carpenter colleague, adding comedic brilliance to the film. Their on-screen chemistry is a joy to watch.
The film explores themes of infidelity, fear of being alone, and the complexities of love, challenging societal norms and preconceived notions about relationships. It offers a thought-provoking and refreshing take on modern romance.
With its visually captivating depiction of Copenhagen and enchanting cinematography, "Elsker dig for tiden" creates a sense of wonder and magic. The film effortlessly blends romance, comedy, and introspection, resulting in a unique and engaging cinematic experience.
In conclusion, "Elsker dig for tiden" is a groundbreaking Danish romantic comedy. With its exceptional performances, genuine portrayal of relationships, and captivating storytelling, it leaves a lasting impression. Don't miss this delightful film that captures the complexities of love beyond expectations.
Anna and Thomas's initial encounter is far from love at first sight, but as their story unfolds, we witness their journey through a stormy romance filled with everyday challenges and personal crises. What sets "Elsker dig for tiden" apart is its ability to deconstruct traditional romantic comedy tropes and infuse them with a Danish context that feels relatable and authentic.
Julie Rudbæk delivers a remarkable performance as Anna, blending humor and vulnerability with ease. Jesper Zuschlag shines in his supporting role as Thomas's carpenter colleague, adding comedic brilliance to the film. Their on-screen chemistry is a joy to watch.
The film explores themes of infidelity, fear of being alone, and the complexities of love, challenging societal norms and preconceived notions about relationships. It offers a thought-provoking and refreshing take on modern romance.
With its visually captivating depiction of Copenhagen and enchanting cinematography, "Elsker dig for tiden" creates a sense of wonder and magic. The film effortlessly blends romance, comedy, and introspection, resulting in a unique and engaging cinematic experience.
In conclusion, "Elsker dig for tiden" is a groundbreaking Danish romantic comedy. With its exceptional performances, genuine portrayal of relationships, and captivating storytelling, it leaves a lasting impression. Don't miss this delightful film that captures the complexities of love beyond expectations.
"Esthers Orkester" is a Danish film that, despite its whimsical and rhyming title, fails to strike a balance between social-realistic family drama and quirky comedy. Directed by Alexander Sagmo and starring Annika Aakjær, the film revolves around the themes of loss and grief, but it struggles to find its footing amidst mixed signals.
The movie follows Esther (Annika Aakjær), a comic book writer, and Thomas (Johannes Lilleøre), an illustrator, in two parallel storylines depicting the first and last days of their relationship. In the flashback narrative, Esther, an eccentric and assertive woman, meets Thomas after a meeting at a publishing house. She impulsively chooses him to collaborate on their new joint project, a dark children's comic book called "Esthers Orkester" about death.
Thomas, a dry and hard-to-understand character, initially resists Esther's persistent and peculiar advances into his life. However, he eventually shows up at her doorstep with a bottle of wine. This encounter leads to an awkward scene where he pretends to be a plumber in front of Esther's parents (Ulf Pilgaard and Stina Ekblad).
The tone of this storyline is quirky and nonsensical, with scenes that lack coherence and purpose. Although some moments elicit occasional amusement, the exchanges between the characters are drawn out and lack momentum. Annika Aakjær, a talented comedian, showcases her charm, but the character of Esther remains underdeveloped. She serves as a manic pixie dream girl archetype, rescuing the inhibited Thomas. It is inconsistent that Esther behaves without inhibitions at the publishing house but fails to inform her parents about Thomas' involvement in her comic book, abandoning him and subsequently berating him.
The motivation behind the eventual marriage between Esther and Thomas is unclear and unconvincing.
Fortunately, the present-day storyline fares better and provides a more engaging experience. In this part, we follow Thomas as he struggles to hold things together at home with their two daughters while Esther is hospitalized. The film captures a tragicomic tone amidst the chaos that Thomas navigates while grieving for his wife. The youngest daughter, April (Holly Filipsen), tries to avoid going to kindergarten, and the moody teenager, Tessa (Emma Pi), slams doors in frustration. We witness Thomas' understandable helplessness, the girls' unhappiness, and the family's resilience, which becomes genuinely moving.
The flashbacks of the first encounter between Esther and Thomas are unnecessary, as it is evident that Esther is a unique character and that losing a wife and mother is difficult.
In summary, "Esthers Orkester" is a film that struggles to find balance between comedy and tragedy. It presents a mix of signals, attempting to blend social realism with quirky comedy but ultimately falling short of its potential. Although the present-day storyline captures a poignant and humorous tone, the disjointed flashbacks and underdeveloped characters hinder the film's overall impact.
The movie follows Esther (Annika Aakjær), a comic book writer, and Thomas (Johannes Lilleøre), an illustrator, in two parallel storylines depicting the first and last days of their relationship. In the flashback narrative, Esther, an eccentric and assertive woman, meets Thomas after a meeting at a publishing house. She impulsively chooses him to collaborate on their new joint project, a dark children's comic book called "Esthers Orkester" about death.
Thomas, a dry and hard-to-understand character, initially resists Esther's persistent and peculiar advances into his life. However, he eventually shows up at her doorstep with a bottle of wine. This encounter leads to an awkward scene where he pretends to be a plumber in front of Esther's parents (Ulf Pilgaard and Stina Ekblad).
The tone of this storyline is quirky and nonsensical, with scenes that lack coherence and purpose. Although some moments elicit occasional amusement, the exchanges between the characters are drawn out and lack momentum. Annika Aakjær, a talented comedian, showcases her charm, but the character of Esther remains underdeveloped. She serves as a manic pixie dream girl archetype, rescuing the inhibited Thomas. It is inconsistent that Esther behaves without inhibitions at the publishing house but fails to inform her parents about Thomas' involvement in her comic book, abandoning him and subsequently berating him.
The motivation behind the eventual marriage between Esther and Thomas is unclear and unconvincing.
Fortunately, the present-day storyline fares better and provides a more engaging experience. In this part, we follow Thomas as he struggles to hold things together at home with their two daughters while Esther is hospitalized. The film captures a tragicomic tone amidst the chaos that Thomas navigates while grieving for his wife. The youngest daughter, April (Holly Filipsen), tries to avoid going to kindergarten, and the moody teenager, Tessa (Emma Pi), slams doors in frustration. We witness Thomas' understandable helplessness, the girls' unhappiness, and the family's resilience, which becomes genuinely moving.
The flashbacks of the first encounter between Esther and Thomas are unnecessary, as it is evident that Esther is a unique character and that losing a wife and mother is difficult.
In summary, "Esthers Orkester" is a film that struggles to find balance between comedy and tragedy. It presents a mix of signals, attempting to blend social realism with quirky comedy but ultimately falling short of its potential. Although the present-day storyline captures a poignant and humorous tone, the disjointed flashbacks and underdeveloped characters hinder the film's overall impact.