aazgarrahmanovi
Joined Aug 2017
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aazgarrahmanovi's rating
They say sin spares no one-not even the father. Adib Mirza is a prime example. There's hardly a crime he hasn't committed. Through these misdeeds, he has built a vast empire and risen to the pinnacle of power and influence. People tremble in fear at his name. Yet even the formidable Adib Mirza has a weakness-his only son, Arian Mirza. For his son, Adib is willing to do anything-even commit murder. But is Arian truly blameless?
The warning signs were there from Arian's school days. After being punished for misbehaving with a classmate, he once assaulted a teacher in front of the whole class. That was just the beginning. As he grew older, he became hot-headed, addicted to drugs, and womanizing-someone even his mother is ashamed to acknowledge as her son.
This complex character is at the heart of the Eid release Borbaad, played by Shakib Khan. But given Arian Mirza's dark traits, one may question whether the term "hero" even applies.
Arian, the spoiled son of a wealthy father, has a weakness of his own-Nitu (played by Idhika Paul). The teaser had already hinted at the extent of his obsession: "If I don't get Nitu, I'll destroy the whole world."
In his quest for Nitu, Arian turns against his family-and his country. The film explores whether he succeeds in his mission or ends up destroying himself. Debut director Mehedi Hasan Hridoy tells this story with flair.
The film blends slick action with emotional weight and intense romantic obsession. The first half focuses on Arian's love for Nitu, ending just as it gains momentum. But right before the intermission, a major twist shifts the narrative dramatically-making the second half more engaging and energetic.
Performance-wise, Shakib Khan delivers a mature and powerful portrayal. The director effectively leverages his megastar appeal, presenting him in a stylish, larger-than-life manner.
Shakib's character has two contrasting shades: a mad lover and a vengeful beast. He balances both sides with ease, arguably outshining his past performances.
Idhika Paul, in the role of Nitu, is a solid choice. She had previously starred with Shakib in Priyotoma, but in Borbaad, she enjoys significantly more screen time. Her character also has different shades, which she handles confidently.
Among the supporting cast, Misha Sawdagor appears in a strikingly different role as Adib Mirza. Shyam Bhattacharya (Zillur), playing Shakib's assistant, fits the part well. Veteran actors like Intekhab Dinar, Shahiduzzaman Selim, Fazlur Rahman Babu, and Mamunur Rashid each deliver strong performances during their screen time.
However, Jisshu Sengupta's character feels underwhelming. While he was initially introduced as a strong antagonist, his impact diminishes by the film's end. Still, within the scope of his role, Jisshu's acting remains commendable.
The film features six songs, most of which are integrated into the storyline. The placement of "Nishshash" in the final act deserves praise. However, the songs in the first half could have been better placed, though they remain melodious.
Before the release, the director stated that violence was central to the story-a promise that is reflected on screen. Some action scenes are genuinely intense. Borbaad helps address longstanding criticisms of action sequences in Bangladeshi cinema. Due to censorship, some violent scenes were blurred, which is noticeable. A more refined edit could have maintained the intensity while meeting certification standards.
Shakib's screen presence remains dominant. The background score used during his scenes enhances the depth of his character. Separate themes for the villains were also a nice touch. However, the overuse of eagle sound effects was distracting.
The cinematography and color grading are well-executed. The varied locations and elaborate set designs confirm that Borbaad is a big-budget production. While the story contains enough twists, the climax is somewhat predictable. Some early scenes feel unnecessarily stretched-such as the police car chase, which could have been shorter.
Despite its lack of narrative depth, absence of memorable dialogue, and a few inconsistencies, Borbaad remains a thoroughly entertaining commercial film. It stands out as one of the strongest action films in recent Bangladeshi cinema. Viewers are unlikely to feel bored while watching it in theaters. Some scenes are so well-presented that audiences will feel compelled to applaud-sometimes subconsciously. Borbaad hits a six. Now the question is: will it also hit the box office?
Rating: 4.00 / 5.00.
The warning signs were there from Arian's school days. After being punished for misbehaving with a classmate, he once assaulted a teacher in front of the whole class. That was just the beginning. As he grew older, he became hot-headed, addicted to drugs, and womanizing-someone even his mother is ashamed to acknowledge as her son.
This complex character is at the heart of the Eid release Borbaad, played by Shakib Khan. But given Arian Mirza's dark traits, one may question whether the term "hero" even applies.
Arian, the spoiled son of a wealthy father, has a weakness of his own-Nitu (played by Idhika Paul). The teaser had already hinted at the extent of his obsession: "If I don't get Nitu, I'll destroy the whole world."
In his quest for Nitu, Arian turns against his family-and his country. The film explores whether he succeeds in his mission or ends up destroying himself. Debut director Mehedi Hasan Hridoy tells this story with flair.
The film blends slick action with emotional weight and intense romantic obsession. The first half focuses on Arian's love for Nitu, ending just as it gains momentum. But right before the intermission, a major twist shifts the narrative dramatically-making the second half more engaging and energetic.
Performance-wise, Shakib Khan delivers a mature and powerful portrayal. The director effectively leverages his megastar appeal, presenting him in a stylish, larger-than-life manner.
Shakib's character has two contrasting shades: a mad lover and a vengeful beast. He balances both sides with ease, arguably outshining his past performances.
Idhika Paul, in the role of Nitu, is a solid choice. She had previously starred with Shakib in Priyotoma, but in Borbaad, she enjoys significantly more screen time. Her character also has different shades, which she handles confidently.
Among the supporting cast, Misha Sawdagor appears in a strikingly different role as Adib Mirza. Shyam Bhattacharya (Zillur), playing Shakib's assistant, fits the part well. Veteran actors like Intekhab Dinar, Shahiduzzaman Selim, Fazlur Rahman Babu, and Mamunur Rashid each deliver strong performances during their screen time.
However, Jisshu Sengupta's character feels underwhelming. While he was initially introduced as a strong antagonist, his impact diminishes by the film's end. Still, within the scope of his role, Jisshu's acting remains commendable.
The film features six songs, most of which are integrated into the storyline. The placement of "Nishshash" in the final act deserves praise. However, the songs in the first half could have been better placed, though they remain melodious.
Before the release, the director stated that violence was central to the story-a promise that is reflected on screen. Some action scenes are genuinely intense. Borbaad helps address longstanding criticisms of action sequences in Bangladeshi cinema. Due to censorship, some violent scenes were blurred, which is noticeable. A more refined edit could have maintained the intensity while meeting certification standards.
Shakib's screen presence remains dominant. The background score used during his scenes enhances the depth of his character. Separate themes for the villains were also a nice touch. However, the overuse of eagle sound effects was distracting.
The cinematography and color grading are well-executed. The varied locations and elaborate set designs confirm that Borbaad is a big-budget production. While the story contains enough twists, the climax is somewhat predictable. Some early scenes feel unnecessarily stretched-such as the police car chase, which could have been shorter.
Despite its lack of narrative depth, absence of memorable dialogue, and a few inconsistencies, Borbaad remains a thoroughly entertaining commercial film. It stands out as one of the strongest action films in recent Bangladeshi cinema. Viewers are unlikely to feel bored while watching it in theaters. Some scenes are so well-presented that audiences will feel compelled to applaud-sometimes subconsciously. Borbaad hits a six. Now the question is: will it also hit the box office?
Rating: 4.00 / 5.00.
Movie: DARD (in Bengali: Dorod)
Genre: Psychological Thriller
Personal Rating: 4.5⭐/5 ⭐
Shakib Khan has always proven his versatility and immense talent as an actor. In "DARD-Dorod", he once again shows that there is no limit to improvement. The film presents Shakib Khan in a more refined and powerful avatar, solidifying his position as one of the greatest actors of our time. Watching him perform in "DARD-Dorod" left me in awe-it's undoubtedly one of his best performances to date. This film feels like a groundbreaking addition to Bangladeshi cinema.
Today, I watched the highly anticipated movie "DARD-Dorod", which has brought a new dimension to Bangladeshi cinema. Psychological thrillers are rare in any industry, let alone in ours. But "DARD-Dorod" introduces this genre with a fresh perspective, exploring the concept of Celebrity Worship Syndrome (CWS)-a psychological disorder characterized by an obsessive fascination with celebrities.
Among all the psychological thrillers I've seen, this is the only film that has tackled CWS as a central theme. It's a unique Genre & applied for the first in any Bangladeshi cinema (I think this is the first ever film with this theme), and it's executed successfully. If you enjoy Psychological Thriller films, you're likely to appreciate "DARD-Dorod".
To truly grasp the film's purpose, you'll need to stay engaged until the very end, as the director masterfully unveils the motivations behind the characters step by step.
What impressed me most was the stellar performance by our Megastar, Shakib Khan. His nuanced acting and expressive eyes make "DARD-Dorod" a memorable experience. His performance in the end scenes is so emotionally compelling that it will leave many in tears. This is the Shakib Khan we want to see more of-one who captivates the audience effortlessly.
The chemistry between Shakib Khan and Sonal Chauhan was amazing; they felt perfectly in sync, despite being from different countries. Everyone will love this pairing, and both delivered flawless performances.
Supporting cast members like Rahul Dev, Payel Sarkar, Alok Jain, and Rajesh Sharma also gave commendable performances. However, I expected a bit more from Payel Sarkar's character. New Bangladeshi actress Safa Marwa also appeared in the film, and she did a good job while adding a touch of glamour to the screen.
The setting of the film primarily revolves around Varanasi, India. The cinematography and visuals were enjoyable, with excellent camera work and soothing color palettes. However, I felt the locations could have been utilized even more effectively to enhance the narrative depth.
The background score was phenomenal, enhancing the emotional depth of each scene. The music during Shakib Khan's walk in the final sequence was especially captivating. The film features three songs, with "Jism Mein Tere" partially used as background music in certain scenes, which blended beautifully with the narrative.
If I were to point out flaws, there are.....
Shakib Khan has always proven his versatility and immense talent as an actor. In "DARD-Dorod", he once again shows that there is no limit to improvement. The film presents Shakib Khan in a more refined and powerful avatar, solidifying his position as one of the greatest actors of our time. Watching him perform in "DARD-Dorod" left me in awe-it's undoubtedly one of his best performances to date. This film feels like a groundbreaking addition to Bangladeshi cinema.
Today, I watched the highly anticipated movie "DARD-Dorod", which has brought a new dimension to Bangladeshi cinema. Psychological thrillers are rare in any industry, let alone in ours. But "DARD-Dorod" introduces this genre with a fresh perspective, exploring the concept of Celebrity Worship Syndrome (CWS)-a psychological disorder characterized by an obsessive fascination with celebrities.
Among all the psychological thrillers I've seen, this is the only film that has tackled CWS as a central theme. It's a unique Genre & applied for the first in any Bangladeshi cinema (I think this is the first ever film with this theme), and it's executed successfully. If you enjoy Psychological Thriller films, you're likely to appreciate "DARD-Dorod".
To truly grasp the film's purpose, you'll need to stay engaged until the very end, as the director masterfully unveils the motivations behind the characters step by step.
What impressed me most was the stellar performance by our Megastar, Shakib Khan. His nuanced acting and expressive eyes make "DARD-Dorod" a memorable experience. His performance in the end scenes is so emotionally compelling that it will leave many in tears. This is the Shakib Khan we want to see more of-one who captivates the audience effortlessly.
The chemistry between Shakib Khan and Sonal Chauhan was amazing; they felt perfectly in sync, despite being from different countries. Everyone will love this pairing, and both delivered flawless performances.
Supporting cast members like Rahul Dev, Payel Sarkar, Alok Jain, and Rajesh Sharma also gave commendable performances. However, I expected a bit more from Payel Sarkar's character. New Bangladeshi actress Safa Marwa also appeared in the film, and she did a good job while adding a touch of glamour to the screen.
The setting of the film primarily revolves around Varanasi, India. The cinematography and visuals were enjoyable, with excellent camera work and soothing color palettes. However, I felt the locations could have been utilized even more effectively to enhance the narrative depth.
The background score was phenomenal, enhancing the emotional depth of each scene. The music during Shakib Khan's walk in the final sequence was especially captivating. The film features three songs, with "Jism Mein Tere" partially used as background music in certain scenes, which blended beautifully with the narrative.
If I were to point out flaws, there are.....
I love the story and lyrics of the movie "Swatta". The main two roles of the film were outstanding. Special Shakib Khan has leaked his performance very well. The lyrics of the movie's songs are touching.
My personal rating is 10/10
My personal rating is 10/10