cristianocrivelli

I hadn't seen it since I was in college. I remembered it like a fun, absurd movie. Now in 2018 what hit me the most was the wife played by Doris Day. She is spectacular and the absurdity becomes totally real just by looking at her. James Stewart is great of course but he seems to be the foil here rather than the center that keeps us connected to that essential leap of faith. The scene in which he gives her the tranquilizers before telling her the terrible news. What Doris Day manages to do with her character is extraordinary. Brenda de Banzie is a terrific villainess and Bernard Herrmann's score another major plus. I'm sure that even my grandchildren's grandchildren will talk about The Man Who Knew Too Much and about Doris Day.

John Schlesinger made his first feature "A Kind Of Loving" with the young Alan Bates. It was an extraordinary debut. They also work together in "Far From The Madding Crowd" and in a TV adaptation of Terence Rattigan's "Separate Tables" with Julie Christie. In "An Englishman Abroad" their artistic relationship is at its peak. The idea came from the incomparable Coral Browne, a true story. They told the story to Alan Bennett and Mr Bennett came out with this piercing, funny, sad true story of a gay British spy living, or surviving his exile in Moscow, without an ounce of resentment. No, all the disappointment, every bit of regret is in Alan Bates's eyes. What a spectacular performance. This beautiful film deserves a serious revival.