xscenex
Joined Nov 2017
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges2
To learn how to earn badges, go to the badges help page.
Ratings464
xscenex's rating
Reviews74
xscenex's rating
This film serves as a poignant, albeit softened, reflection of the brutal realities of the caste system in India. Far from the dramatic music and slow-motion sequences typical of cinematic portrayals, the real-world implications of caste are far more severe, often muted in films due to censorship and the fear of offending certain groups. The movie courageously tackles the caste system, a societal construct engineered by those at the top to maintain their dominance. Rooted in fabricated mythologies and scriptures crafted by the same elites, this system was designed to perpetuate a hierarchy that benefits a select few while marginalizing others, particularly the so-called "backward castes." These natives, the original inhabitants of the land, were systematically dispossessed by invaders who imposed a religion intertwined with caste to cement their control. The film's depiction of honor killings, though restrained, hints at the chilling reality of violence driven by this entrenched belief in social superiority and inferiority, particularly in stigmatizing inter-caste marriages under the guise of tradition.
While the film doesn't delve as deeply into the raw brutality of these issues as it could, it remains a compelling and well-crafted eye-opener. The background score is perfectly attuned, amplifying the emotional weight of the narrative, while the acting delivers powerful, authentic performances that bring the story to life. The direction is commendable, striking a balance between storytelling and social commentary. By presenting a gentler version of this harsh truth, the film still succeeds in sparking reflection on the caste system's devastating impact, including its role in perpetuating honor killings as a tragic byproduct of rigid social hierarchies.
Ultimately, this movie is a commendable effort to shed light on one of the world's greatest social travesties-the caste system's enduring grip on society. It serves as a reminder that humanity was not born with caste; it was imposed by those seeking to preserve their power and privilege. While the film may not capture the full extent of the cruelty faced by marginalized communities, it is a step toward exposing these injustices. With its strong performances, evocative score, and thoughtful direction, this is a must-watch for those seeking to understand the deep-rooted inequalities that continue to shape lives in India.
While the film doesn't delve as deeply into the raw brutality of these issues as it could, it remains a compelling and well-crafted eye-opener. The background score is perfectly attuned, amplifying the emotional weight of the narrative, while the acting delivers powerful, authentic performances that bring the story to life. The direction is commendable, striking a balance between storytelling and social commentary. By presenting a gentler version of this harsh truth, the film still succeeds in sparking reflection on the caste system's devastating impact, including its role in perpetuating honor killings as a tragic byproduct of rigid social hierarchies.
Ultimately, this movie is a commendable effort to shed light on one of the world's greatest social travesties-the caste system's enduring grip on society. It serves as a reminder that humanity was not born with caste; it was imposed by those seeking to preserve their power and privilege. While the film may not capture the full extent of the cruelty faced by marginalized communities, it is a step toward exposing these injustices. With its strong performances, evocative score, and thoughtful direction, this is a must-watch for those seeking to understand the deep-rooted inequalities that continue to shape lives in India.
Review of an Artistic Horror Film Failure
The film markets itself as an artistic horror experience, but it falls drastically short of delivering on either front. Instead of crafting a chilling or thought-provoking narrative, it leans heavily on poorly executed CGI that undermines any potential for immersion or suspense. The visual effects are not only subpar but also distractingly artificial, pulling viewers out of the experience rather than drawing them into the intended atmosphere. Far from being innovative, the CGI feels like a crutch for a production unwilling or unable to invest in practical effects or creative cinematography that could have elevated the film's eerie potential.
The horror elements, which should be the backbone of any film in this genre, are virtually nonexistent. There is no sense of dread, tension, or unease to grip the audience. Scenes that aim to unsettle instead come across as flat and uninspired, failing to evoke even a fleeting moment of fear. The absence of genuine horror is compounded by the film's reliance on tired, clichéd mythological characters. These figures, rooted in familiar and overused myths, feel like a lazy attempt to lure audiences with recognizable names rather than offering fresh or compelling lore. The decision to center the narrative around such predictable archetypes, without adding depth or originality, results in a story that feels derivative and uninspired from the outset.
The direction is another significant weak point, marked by a lack of vision and coherence. The pacing is sluggish, with scenes dragging on without purpose or momentum, as if the filmmakers were merely filling time to meet a runtime quota. The script is equally lackluster, meandering through a disjointed storyline that fails to establish a clear narrative arc or emotional stakes. Key plot points are introduced haphazardly, and resolutions feel unearned or nonsensical, leaving viewers disengaged and confused. The dialogue is stilted, lacking the nuance or personality needed to bring the characters to life or make their interactions meaningful.
The characters themselves are a major disappointment, portrayed with such blandness that they fail to leave any impression. The performances are uniformly dull, with actors delivering lines in a monotone that suggests a lack of direction or motivation. There is no depth or complexity to their personalities, making it impossible for audiences to connect with or care about their fates. Supporting characters are particularly forgettable, serving as little more than plot devices to pad the runtime. This lack of engaging character development further erodes any potential for emotional investment in the story.
Cinematography and sound design, which could have salvaged some sense of atmosphere, are equally underwhelming. The visuals are uninspired, with generic framing and lackluster color palettes that do little to enhance the mood. The soundtrack is forgettable, failing to build tension or complement the film's supposed horror elements. Even the editing feels careless, with jarring transitions that disrupt the flow and highlight the film's overall lack of polish.
Ultimately, this film is a profound disappointment as a horror offering and an even greater failure as an artistic endeavor. It lacks the creativity, technical proficiency, and emotional resonance needed to engage its audience or justify its existence in a crowded genre. The reliance on shoddy CGI, clichéd mythology, and a directionless script results in a plodding, lifeless experience that neither scares nor captivates. Fans of horror seeking a thrilling or innovative film would be better served looking elsewhere, as this movie delivers nothing of value and leaves no lasting impact.
The horror elements, which should be the backbone of any film in this genre, are virtually nonexistent. There is no sense of dread, tension, or unease to grip the audience. Scenes that aim to unsettle instead come across as flat and uninspired, failing to evoke even a fleeting moment of fear. The absence of genuine horror is compounded by the film's reliance on tired, clichéd mythological characters. These figures, rooted in familiar and overused myths, feel like a lazy attempt to lure audiences with recognizable names rather than offering fresh or compelling lore. The decision to center the narrative around such predictable archetypes, without adding depth or originality, results in a story that feels derivative and uninspired from the outset.
The direction is another significant weak point, marked by a lack of vision and coherence. The pacing is sluggish, with scenes dragging on without purpose or momentum, as if the filmmakers were merely filling time to meet a runtime quota. The script is equally lackluster, meandering through a disjointed storyline that fails to establish a clear narrative arc or emotional stakes. Key plot points are introduced haphazardly, and resolutions feel unearned or nonsensical, leaving viewers disengaged and confused. The dialogue is stilted, lacking the nuance or personality needed to bring the characters to life or make their interactions meaningful.
The characters themselves are a major disappointment, portrayed with such blandness that they fail to leave any impression. The performances are uniformly dull, with actors delivering lines in a monotone that suggests a lack of direction or motivation. There is no depth or complexity to their personalities, making it impossible for audiences to connect with or care about their fates. Supporting characters are particularly forgettable, serving as little more than plot devices to pad the runtime. This lack of engaging character development further erodes any potential for emotional investment in the story.
Cinematography and sound design, which could have salvaged some sense of atmosphere, are equally underwhelming. The visuals are uninspired, with generic framing and lackluster color palettes that do little to enhance the mood. The soundtrack is forgettable, failing to build tension or complement the film's supposed horror elements. Even the editing feels careless, with jarring transitions that disrupt the flow and highlight the film's overall lack of polish.
Ultimately, this film is a profound disappointment as a horror offering and an even greater failure as an artistic endeavor. It lacks the creativity, technical proficiency, and emotional resonance needed to engage its audience or justify its existence in a crowded genre. The reliance on shoddy CGI, clichéd mythology, and a directionless script results in a plodding, lifeless experience that neither scares nor captivates. Fans of horror seeking a thrilling or innovative film would be better served looking elsewhere, as this movie delivers nothing of value and leaves no lasting impact.
There is a difference between Violence and Grossness. To make the film look violent, you cannot show severed prosthetic body parts, eyeballs on the ground, prosthetic gross burned flesh. That makes a movie Gross and will make the viewer grossed out and puke and not feel euphoric or give any adrenaline rush..
To compete with other movies the failed directors cannot just make such movie which are more of a gross B grade slasher movies rather than a movie with substance. The story and drama is nowhere to be found, screenplay is scattered, direction is like an advertisement which made the whole movie look like a trailer. This is not the way to make something violent, or the film makers will start showing uncut post mortems or autopsies of the bodies to gross out the viewers and then claim to be the most violent film. NOPE.
To compete with other movies the failed directors cannot just make such movie which are more of a gross B grade slasher movies rather than a movie with substance. The story and drama is nowhere to be found, screenplay is scattered, direction is like an advertisement which made the whole movie look like a trailer. This is not the way to make something violent, or the film makers will start showing uncut post mortems or autopsies of the bodies to gross out the viewers and then claim to be the most violent film. NOPE.