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If you like visually stunning movies Crouching Tiger, Hidden Dragon is one of the finest I have ever seen. This stunning film, directed by the esteemed Ang Lee is a work of art. Crouching Tiger, Hidden Dragon, which is based on an early 20th century novel by Wang Du Lu, unfolds much like a comic book, with the characters and their circumstances being painted using wide brush stokes. Subtlety is not part of Lee's palette; he is going for something grand and melodramatic, and that's what he gets. The hallmark of Crouching Tiger, Hidden Dragon is its standout action sequences, of which there are five or six (depending on how you count). All of them are eye-popping and spectacularly choreographed (by Yuen Wo-Ping, who worked on The Matrix - a connection that is immediately identifiable) with special effects being used to enhance the natural athleticism of the participants. Must watch

This is a fantastic documentary which provides a window into the technical elements of the way an image is captured by cameras for motion pictures. Most of us are aware that there are two mediums- film, - which has been the method of application up until the last decade or two, and digital- which is trying to supplant film. It is an interesting look at the junction of art and science to create a feature film and the kind of hurdles these mediums, and the people using them have to overcome. Keanu Reeves is an excellent host and the usually drab actor seems full of energy here, asking furtive questions and giving feedback and opinion. There are a host of subjects interviewed here, from legendary filmmakers and cinematographers to producers and movie moguls. I prefer the look of film stock and will side with it, but there is no denying the strides digital cameras have made in recent years. And perhaps the greatest takeaway from this documentary is that it doesn't really matter what medium you shoot on- it is the person behind the camera that matters.

Todd Haynes is an acquired taste but nobody can deny his gifted approach to filmmaking. Far from heaven is an interesting film starring Julianne Moore and with a look that evokes the films of the 50s. Everything about Far from Heaven playfully yet reverently alludes to the 1950s as a movie genre. The rich and digitally enhanced autumn leaves feature as tableaux, and as a discreet and tasteful design for the opening and closing credits. Elmer Bernstein's score imitates the lush foliage with its extravagantly emotional strings, later arranged with much emphasis on brooding keyboard and woodwind, dotting and crossing the drama's every "i" and "t". Mark Friedberg's production design is outstanding, surpassing his period work on Pollock and The Ice Storm. Sandy Powell's costumes are superb, especially for Moore herself who is allowed noticeably fuller skirts as the queen bee of her daiquiri-sipping ladies' circle, and some truly show stopping elbow-length gloves for a party scene.