jrippey
Joined Feb 2006
Badges2
To learn how to earn badges, go to the badges help page.
Reviews1
jrippey's rating
Just viewed this movie on a DVD from Netflix. This movie is what a motion picture can be in the hands of an intelligent and talented director.
The photography was wonderful, the use of color was spectacular, the sound was excellent, and the music and performances were top notch. I especially liked the full symphony orchestra segments and the American big band segments. The Folies-type musical numbers were also done with flair, and Geraldine Chaplin proved herself to be a classy cabaret singer (assuming her voice wasn't dubbed). Michel Legrand I believe was responsible for the music, which was first rate throughout.
All production values were of the highest order.
The final dance sequence, which lasted far longer than anything Hollywood would permit, was phenomenal; the late Jorge Donn was not Nureyev, but spectacular all the same. The robustness and uncompromisingly balletic style of the finale put the ballet sequences in a couple of American movies--American In Paris and Carousel-- in the shade.
Released in the U.S. as Bolero, apparently. Without car chases, explosions, etc., I doubt if it did very well at the box office over here.
The photography was wonderful, the use of color was spectacular, the sound was excellent, and the music and performances were top notch. I especially liked the full symphony orchestra segments and the American big band segments. The Folies-type musical numbers were also done with flair, and Geraldine Chaplin proved herself to be a classy cabaret singer (assuming her voice wasn't dubbed). Michel Legrand I believe was responsible for the music, which was first rate throughout.
All production values were of the highest order.
The final dance sequence, which lasted far longer than anything Hollywood would permit, was phenomenal; the late Jorge Donn was not Nureyev, but spectacular all the same. The robustness and uncompromisingly balletic style of the finale put the ballet sequences in a couple of American movies--American In Paris and Carousel-- in the shade.
Released in the U.S. as Bolero, apparently. Without car chases, explosions, etc., I doubt if it did very well at the box office over here.