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Stepping up from the previous two entries of Knives Out, this murder mystery thriller masterfully blends a subtle yet thought-provoking exploration of the contemporary religion landscape. Its profound influence on followers, the potential weaponization of faith, and the quiet degeneration of its original ideals into a gripping narrative without feeling over-complicated or preachy. The story maintains its sharp focus through an in-depth study of the protagonist, supported by genuine performances from the outstanding ensemble cast. While the pacing accelerates slightly towards the end with events unfolding a bit too quickly, these flaws are ultimately overshadowed by the film's compelling execution and spiritual depth.

28 Years Later is a zombie apocalypse film that mistakes chaos for depth, resulting in an exhausting mess that fails to resonate. Every character feels unhinged, their erratic behavior disorienting and confusing, with the possible exception of the ritualistic "weird" character, whom others dismiss as mentally unstable. The cinematography and editing are disastrous: rapid, shaky cuts induce nausea, while abrupt shifts to slow, lingering pans create whiplash. Some may praise its chaotic style as artistic, but to me, it feels incomprehensible.

This F1-inspired sports car movie delivers high-octane thrills but relies heavily on exaggerated "dirty tricks," undermining the authenticity of Formula 1's strategic depth. The lack of genuine team rivalries and distinctive driver skills, replaced by Hollywood clichés such as sensationalized personal conflicts and predictable redemption arcs, fail to capture the sport's competitive essence. While the races deliver dramatic split-second decisions, they grow repetitive over the 2.5-hour runtime, and the visuals, though captivating, add nothing to surpass the spectacle of real F1 broadcasts.