andrewdrahn
Joined Nov 2018
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andrewdrahn's rating
If you'd like to see a woman boil potatoes and then eat them, all in real time, with minimal to no dialogue, in black and white, this is the movie for you. This movie is so incomprehensibly bad, that only it's dour and uncompromising tone, leads one to believe this is not a parody of an art film. How cluelessly pretentious is this film? It begins with a couple minutes of a bank screen, and a narrator telling an apocryphal tail or the Nihilistic philosopher Fredrick Nietzsche losing his mind over the titular Turin Horse. The film only goes downhill from here.
Almost worth watching just to see the filmmaker commit to a number of choices, and oh, boy, some choices get made.
Almost worth watching just to see the filmmaker commit to a number of choices, and oh, boy, some choices get made.
Normally I don't really mind it when a director imitates the style of another director. If you liked the original, why complain about a copy? However, Mani Haghini's 2018 film "The Pig" is highly derivative of the Cohen Brother's satires, in a way that really makes you appreciate the craft of the brothers as filmmakers. Mani seems to have watched "The Big Lebowski" 40 times, then set out to make a self-indulgent movie about being a film director in Iran.
The other filmmaker make Mani seems to have been cribbing notes from is Woody Allen, in that both men often insist on starring and directing themselves in their own movies. Much as with Allen, Mani is a wildly unattractive man, who, when writing himself into his own fictional world has decided that a number of beautiful women are obsessed with him. His former leading lady, and mistress stops an movie scene she's starring in just because he's in the audience watching it be filmed. He even picks up a young, attractive stocker, who follows him around secretly filming him. Mani seems to think he has the sexual charisma of the rock stars that adorn the tacky graphic t-shirts he wears throughout the film.
Having said all this, Haghini does have some skill as a visual stylist. It's just unfortunate that for every striking image that Haghini conjures up, they get buried in all the elements of the film that aren't working, most notably the choppy editing. In the end I think this is a film that is worth skipping.