Blondmonkey5
Joined May 2006
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Reviews3
Blondmonkey5's rating
Review: I Killed My Mother/J'ai tué ma mère 9*/10
Largely autobiographical, the film details the intensely volatile relationship between a gay 16-year-old, Hubert (Dolan), and his mother, Chantale (Anne Dorval). The film builds through a series of richly hysterical conflicts that find these two characters exceedingly incapable of living with or without one another. Perhaps a viciously honest love story more than anything else, I Killed My Mother gives us an acute and compassionate portrayal of both sides of this complex human interaction.
Dolan stars as a Montreal teen whose relationship with his mother redefines "troubled" — the young hyphenate a natural in front of the camera and a little over-excited behind it.
Seen at the Toronto International Film Festival.
Largely autobiographical, the film details the intensely volatile relationship between a gay 16-year-old, Hubert (Dolan), and his mother, Chantale (Anne Dorval). The film builds through a series of richly hysterical conflicts that find these two characters exceedingly incapable of living with or without one another. Perhaps a viciously honest love story more than anything else, I Killed My Mother gives us an acute and compassionate portrayal of both sides of this complex human interaction.
Dolan stars as a Montreal teen whose relationship with his mother redefines "troubled" — the young hyphenate a natural in front of the camera and a little over-excited behind it.
Seen at the Toronto International Film Festival.
Review: The Necessities of Life/Ce qu'il faut pour vivre 9*/10
It's a tale of hopelessness, terror, confusion and desperation, and Ungalaaq makes you feel all of that. The Necessities of Life has done well on the festival circuit and was Canada's entry for Best Foreign Language Film Oscar this year, although it didn't make the final cut to be in the running Sunday.
Language barriers are no problem with sub-titles, but even without them I think the film would still work just in how Ungalaaq manages to get so much across with expression and pitch. Éveline Gélinas as a sympathetic nurse is also very good, as the relationship between her and Tivii shows that common language is not an impediment to either friendship or understanding. I also liked Denis Bernard in a small role as a sympathetic priest that tries to help Tivii adapt an orphaned Inuit that's also a patient in the hospice; some genuine laughs are mined out of their visit to the monsignor.
This proves that things aren't all black and white in the story. The actions of the government are not driven by I think some imperialist mentality, but by the notion that they were genuinely doing all right by the Inuit by taking them far from home and treating them in spite of everything. Their self-deluded altruism may have blinded them to certain facts on the ground, but Necessities isn't a story about the right-or-wrong of government policy. It's the story of one man's struggle to get some semblance of control of his situation, and whether or not he can maintain a sense of self so far from home. It's a simply powerful story that works its magic in small and unexpected ways.
At times filled with humor and warmth and at others feeling compounded by isolation and a hint of claustrophobia, Necessities of Life reaches out from the past and across cultures to remind us how fragile we are in a number of equally important ways. Is one's health worth a trip hundreds of miles away from home and being thrown into the deep end of some strange culture? It's a tough question, and while I think I know my answer, it's up to the audience to make up there own minds as to whether Tivii's journey made him the worse for ware, or worn for the better
In examining what constitutes the necessities of life, Pilon presents a variety of options communication, belonging, acceptance and family. But chief among them is dignity.
Seen at the Palm Springs International Film Festival.
It's a tale of hopelessness, terror, confusion and desperation, and Ungalaaq makes you feel all of that. The Necessities of Life has done well on the festival circuit and was Canada's entry for Best Foreign Language Film Oscar this year, although it didn't make the final cut to be in the running Sunday.
Language barriers are no problem with sub-titles, but even without them I think the film would still work just in how Ungalaaq manages to get so much across with expression and pitch. Éveline Gélinas as a sympathetic nurse is also very good, as the relationship between her and Tivii shows that common language is not an impediment to either friendship or understanding. I also liked Denis Bernard in a small role as a sympathetic priest that tries to help Tivii adapt an orphaned Inuit that's also a patient in the hospice; some genuine laughs are mined out of their visit to the monsignor.
This proves that things aren't all black and white in the story. The actions of the government are not driven by I think some imperialist mentality, but by the notion that they were genuinely doing all right by the Inuit by taking them far from home and treating them in spite of everything. Their self-deluded altruism may have blinded them to certain facts on the ground, but Necessities isn't a story about the right-or-wrong of government policy. It's the story of one man's struggle to get some semblance of control of his situation, and whether or not he can maintain a sense of self so far from home. It's a simply powerful story that works its magic in small and unexpected ways.
At times filled with humor and warmth and at others feeling compounded by isolation and a hint of claustrophobia, Necessities of Life reaches out from the past and across cultures to remind us how fragile we are in a number of equally important ways. Is one's health worth a trip hundreds of miles away from home and being thrown into the deep end of some strange culture? It's a tough question, and while I think I know my answer, it's up to the audience to make up there own minds as to whether Tivii's journey made him the worse for ware, or worn for the better
In examining what constitutes the necessities of life, Pilon presents a variety of options communication, belonging, acceptance and family. But chief among them is dignity.
Seen at the Palm Springs International Film Festival.
I read nothing of this movie before going in and I'm glad I didn't. I think I would have been put off by any reviews.
This is a great story of human interaction and sibling connection. Beautifully filmed and containing some truly amazing dialog, Lafleur manages to create an insightful, sometimes funny story of man's struggle with life.
Lafleur is a great talent. He brilliantly wrote and directed this great low budget movie. I think many will miss this one which is really sad. Movies like this should really be part of everyone's regular viewing. We'd all be much more enlightened characters if that was the case.
10/10
This is a great story of human interaction and sibling connection. Beautifully filmed and containing some truly amazing dialog, Lafleur manages to create an insightful, sometimes funny story of man's struggle with life.
Lafleur is a great talent. He brilliantly wrote and directed this great low budget movie. I think many will miss this one which is really sad. Movies like this should really be part of everyone's regular viewing. We'd all be much more enlightened characters if that was the case.
10/10