SubterraneanCinema

I am giving "Revelation: End of Days" an extra star ONLY because I am a big fan of the "found footage" (aka "faux documentary") genre. I loved "Blair Witch" and "Cloverfield", and I think that "September Tapes" is one of the most underrated films of the new millennium. The style of "Revelation" is similar to "ST", but this couldn't be more blatant fundamentalist Christian propaganda if it were being broadcast on CBN, starring Kirk Cameron, and with a special cameo by Pat Robertson. The fact that History Channel produced it is rather odd. I know that they have had several "documentaries" that were very theologically biased to please the devout, but this is beyond even those. It is like Ed Wood cross-dressing as Leni Riefenstahl in a conservative Sunday suit. If that mental image frightens you, then definitely avoid watching this at all costs. :)

The person who wrote the earlier review shown on the IMDb page is simply wrong. This is a very good mystery film, set in the San Francisco bay area, and starring Garry Goodrow as an eccentric but dedicated detective with a comically weak stomach for murder scenes (and who bears an amazing resemblance to film critic Gene Siskel). Goodrow was involved in the early 60s with the Beats and the Living Theatre, and his acting chops definitely show in the role of Clancy Higgins. This was far from just your run of the mill horror cheapie, there were some true talents involved in it. Perhaps the overly harsh IMDb reviewer who gave this "one star" was expecting a hardcore Tobe Hooper gorefest from looking at the poster showing a doctor holding a human heart, but it is anything but that, and it is certainly nothing approaching "one of the worst films ever", that's total nonsense and the film deserves much better than that. It's a thought provoking suspense drama, and its well worth the few dollars you'll pay for the bargain bin DVD release (which has very good pic/sound quality). The film is probably even suitable for younger viewers (say 10 and up), I first saw it in the late 70s on HBO and I thought it was great back then too. Seriously, this is one of my favorite films that almost nobody has seen.

Im not a blind Michael Moore fan by any stretch, in fact I think "The Big One" is probably one of the worst films of all time, and I think that he is an annoying blowhard. Being a proud independent, I can see the idiots on both sides.

But as Im watching this, I noticed a glaringly ridiculous scene (mentioned briefly by someone else in an earlier review). They showed a group of Flint High School girls doing some sort of irritatingly silly amateur schoolie play that mocks "Roger and Me" (the kind that only the mostly blindly adoring of right wing parents would be able to endure in their pompous little brats), and then the teenage girl "writer" of this play is interviewed, and she claims that Moore "fabricated" a news report that shows a female reporter stating that a Nightline report was cancelled because their news van was stolen, even as the scene from the film with her report is being shown over the girl's claims. It is from all visual inspection a real news report. Is she truly trying to say that Moore literally created the report in the film himself, hiring an actress to pose as a reporter and putting a fake station logo on the screen? If so, its funny because I cant seem to find any mention of it anywhere else but on this site, about this film. Did this little girl just make it up and these idiot filmmakers put it in at face value? Doesn't that make them complete hypocrites (like most people who do these kinds of amateurish no-budget "gotcha" documentaries).

The female narrator (I assume its a woman named "Debbie Melnyck", who is listed as one of the "writers" and "directors") tries for a parody of Moore's sardonic style, but her lispy, effete elementary school teacher housewifey monotone would be more apt for Romper Room or selling jewelry on QVC. (Maybe the girl who put on the play is her daughter or something.) Sure, Michael Moore is a jerk, but what comes out much more glaringly in this film is the vapidness of young people in the majority of the spineless post-baby boom generations. We're doomed, folks. Face it now and save yourselves the Christmas shock. There's no hope. This documentary is depressingly effective at showing how our nauseatingly effete youth are going to sissy their way into the end times. We're all going out with a whimper, followed by a bang. This film is a good argument in favor of everyone deserving it. Both sides are chock full of fooles. The difference between the swishing grade Z Canadian twits who created this and Michael Moore is, Moore has talent for making films, and they don't. Stay home, Debbie dear, you aren't worthy to speak to Moore for a reason. It's not because he's avoiding you. It's because you are insignificant.

This wretched film is showing on Sundance Channel this month, so watch it for FREE by all means, if you must at all (please don't pay people like this to make more films like this). Or better yet, watch a good documentary instead (like "Grey Gardens", which is also playing this month on Sundance).