grumpy736-1
Joined Jul 2006
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grumpy736-1's rating
First of all I took this film to be a stage play with all four actors having declaimed those lines hundreds of times. It turned out after the ending I went to the reviews, yes, it had been a stage play in London and the playwright was hired to write a film script. I think he just rearranged the scenes for the camera setups. It works very well as a stage play -- the actors in the film deliver the lines as if they had said them for months and each word is carefully enunciated --- no mumbling naturalism or words not made clear to the audience in the back rows. Some of the reviews denigrate Hedy Lamarr's performance.. I'm not a fan but I don't see how she could do anything else with it given the times and the restrictions. I say it is well worth watching for cinema students looking for how to rework a stage play
I agree with most of the praises that precede this post -- I'm glad I tuned into it on TCM and on my recently added wide screen TV -- it is the made for wide screen version and it is magnificent. The reason I stepped in here was: there was a sharecropper (?)who resembled James Earl Jones so I looked into the credits. Someone was ahead of me and said that it was James Earl Jones' father, who also had a deep resonant voice.
Jo Van Fleet deserved a Best Supporting Actress definitely. Albert Salmi had a role he could play easily -- with menace that worries an audience. A nine because I didn't buy into the romance with Lee Remick and those scenes were too long for me.
Jo Van Fleet deserved a Best Supporting Actress definitely. Albert Salmi had a role he could play easily -- with menace that worries an audience. A nine because I didn't buy into the romance with Lee Remick and those scenes were too long for me.