amos-27

Yeah, well... where to begin. All apologies for those viewers who wasted precious moments of their otherwise entertaining lives to view my miscreation. Like all movies, it started with an idea, (to create an Ed Wood like-masterpiece) and then of course... spiraled downwards. My writing partner at the time, Joel Rose (a marvelous novelist) cranked out the screenplay in three weeks of uninterrupted laughter (fueled by a recently arrived kilo of Nepalese hash, flaky & pungent). Lo & behold, our erstwhile agent (Gaby) at the William Morris Agency soon had hooked a producer for this confection. Mind you, we were not wholly unaware of these guys' reputations as liars and thieves but... having my head on backwards, due to a certain addiction to a young Polish actress, I decided to proceed none-the-less. Fearlessness is often a positive thing, but in this instance, it was cause for more suffering than I'd had. In retrospect, my favorite part of the experience (and folk, it WAS a nightmare) was the fun Stephen Baldwin and I had under what I hope is the worst conditions to make a picture. If you can let go of your expectations, and check out Mr. Depp in the brilliant "Ed Wood", who's various concoctions inspired this, you may see the fun of this "awful" movie. Peace.

i recently saw this flick after 20 odd years & while it is one that 'got away', its still pretty decent for the time... (what the producers wanted - was an "urban teen flick"... good luck!) it was my first 35mm, fully crewed production & shot in 20 nights & we did best under the circumstances, and we had a blast shooting it. editing was difficult to say the least. it was a huge, huge learning experience. i had a lot of support from oliver wood (DP), line-producers Ben Gruberg & Roberta Friedman, and Greg Heller, who wrote the story. Nord Haggerty and Anna Taylor did a a great job with production design and costumes under very limited budget. Nile's music sounds better than ever. i wish we'd have shot the real ending... (which was to "political" for the producers) i agree w/comments that there are cheesy segments & i'd like to see Vince act in more movies! Jamie & Michael Winslow still charm in their own ways... anyway, thanks for watching it on late nite TV!

COPPERHEAD ROAD is an excellent short, I'd love to see this film turned into a full length feature. In terms of emotional intensity, structure, editing, visual storytelling and sound design, it doesn't get much better. The acting is outstanding, especially by Susan Highsmith and Scott Feraco. This film doesn't pander to mainstream tastes, it takes its narrative out on the edge, relying on the strengths of its surprisingly realistic drama to sustain forward momentum. Its a noir built for modern day angst, & delivers social commentary without any inkling of pretense or "set-up". In a sense it has that Spielbergian or Hitchcockian drift into the most scary of notions, i.e. what its like being alone, at night, when one's thinking may not be 'straight', and where evil lurks in authority. Its a truly scary movie. I highly recommend Ian Ogden's film.