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segaltoons's profile image

segaltoons

Joined Jul 2006
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings1K

segaltoons's rating
Spinal Tap II: The End Continues
6.97
Spinal Tap II: The End Continues
Ne Zha 2
8.04
Ne Zha 2
Weapons
7.69
Weapons
Snatched
4.77
Snatched
Mission: Impossible - The Final Reckoning
7.35
Mission: Impossible - The Final Reckoning
Blame It on the Samba
6.39
Blame It on the Samba
Old Smokey
5.57
Old Smokey
Thunderbolts*
7.29
Thunderbolts*
Janis Ian: Breaking Silence
7.89
Janis Ian: Breaking Silence
Full-Moon Party
8.06
Full-Moon Party
Snow White
2.18
Snow White
Novocaine
6.58
Novocaine
Postcard from Earth
7.58
Postcard from Earth
Captain America: Brave New World
5.68
Captain America: Brave New World
Origami
6.410
Origami
Get Smart
8.210
Get Smart
Get Smart
6.57
Get Smart
A Real Pain
7.08
A Real Pain
Moana 2
6.56
Moana 2
Wicked
7.410
Wicked
CinéMagique
8.59
CinéMagique
Songs to Sing in the Dark
6.68
Songs to Sing in the Dark
Wallace & Gromit: Vengeance Most Fowl
7.59
Wallace & Gromit: Vengeance Most Fowl
Conclave
7.47
Conclave
The Room Next Door
6.85
The Room Next Door

Reviews10

segaltoons's rating
I'm Hip

I'm Hip

6.2
10
  • Dec 17, 2023
  • A cool cartoon for cool cats

    This musical cartoon by John Musker is everything the title suggests. A cool cat (literally) fancies himself as the hippest in the room. The gags come at a rapid pace and all synchronized to the jazzy tune by co-writer and vocalist Dave Frishberg. It's a whirlwind of changing scenery and colorful styles. It's filled with caricatures of people Musker knew, which he enumerated in lectures at The Mill Valley Film Festival and also the CTN Expo. You would probably need to watch this cartoon 10 times to catch all the references. Even the end credits are full of inventivness. For those that don't recognise the creator's name (or don't know how to use IMDb) John Musker was half of the team who helped revolutionize Disney animation as co-director of The Little Mermaid, Aladdin and many others. He made this film himself with a little help from his friends. It's cool, y'dig?
    The Good Nurse

    The Good Nurse

    6.8
    10
  • Oct 16, 2022
  • One of the Best Films of the Year

    Dark and foreboding, this film starts slowly and builds eerily and suspensefully.. Don't let the darkness and the brutally realistic portrayals of medical procedures scare you away from one of the best films of the year. The performances by the two leads Jessica Chastain and Eddie Redmayne are intensely believable. Also worth mentioning are Noah Emmerich and Malik Yoba as the two detectives assigned to the case, they seem very real and unlike typical movie detectives. There are no car chases and no last minute capures. Just frustratingly slow and with infuriating bureaucracy. But it's clear that there is evil sometimes where you don't expect it.

    I saw The Good Nurse at the Mill Valley Film Festival with very little knowledge of it, and that's how I recommend approaching it. Before writing this review I watched the trailer and I feel they give away too much. In his first English language film, Danish filmmaker Tobias Lindholm has directed a truly believable story based on real people and real events. Some of the people involved were consulted as part of the making of the film. Be patient with this film and you will be rewarded.
    Bolden

    Bolden

    5.6
    3
  • May 2, 2019
  • Confusing

    I knew nothing about Buddy Bolden before seeing this film and after seeing it I know even less. This film is put together like a two hour trailer, the scenes jump around in time and never seem to build to a satisfying emotional conclusion. There are individual shots that promise something interesting, but never seem to finish. Even the jazz numbers which are well arranged by Wynton Marsalis, do not get to finish. And most music varies in fidelity and we move thru time and space.

    The period details are perfect as is the music, sounding like it's played on period instruments. The performances are believable especially Gary Carr as Buddy Bolden who presents a broad range of emotions. He can be exhibiting a youthful energy exploring the nascent possibilities of jazz, or suffering trough rough parts of his life. The most familiar face in the cast is Ian McShane, but his charter is presented in such a choppy way, I have no idea who his character was or how he figured in Bolden's life.

    I saw this at a special screening with the writer director Dan Pritzker in attendance, and he acknowledged that no recording of Bolden exists and so little is known about Bolden that he has no idea if he invented jazz or not, he just thought it was a good tag line.
    See all reviews

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