agmancuso

Kathryn Bigelow concocts a masterpiece of a film without tricks or gimmicks, at least none to be detected and that in itself is a triumph. Realistic yet poetic like the works of the great masters. It enters and fits a genre and at the same time is unique, unexpected. It shutters, moves and alters every sense, like a powerful drug. I saw it last night and I'm going to see it again tonight. Last night Jeremy Remmer came to speak to the audience in a face to face moderated by Sam Rockwell, great idea but it change my perception of Remmer in the film, of his character. Although he praised Kathryn Bigelow, he said things like "I don't tell her how to direct and she doesn't tell me how to act" Watching the film I felt that childish arrogance belonged to the character by his personal appearance showed it belonged to the actor. In any case, it works on the screen. A character you warm up to almost immediately in spite of his contradictions. Remmer will remind you at times of Robert Redford and others of Michael J Pollard. He is truly terrific so try to avoid his personal appearances not to contaminate that impression. The rest of the cast works wonders and the brief cameos by Guy Pearce and Ralph Finnes are the most organic and unobtrusive cameos I've ever seen in my life. All in all extraordinary. I predict, even if we're only in June, that Kathryn Bigelow risks to be the first female director to win the Academy Award. She certainly got my vote.

Yes, okay, it's very funny at times down right hilarious. What sets this comedy apart from others of its ilk, is a well structured script and a pace that doesn't allow any form of thinking. The chemistry between the four leads is also a plus. There is a surprising, maybe unconscious, touch of innocence in the midst of this night of debauchery that makes it palatable even charming. Bradley Cooper is coming into his own and I'm absolutely certain that he was born to play Emperor Caligula in a future Ridley Scott flick. The women, as in most films about a bunch of heterosexuals doing childish things, are treated appallingly. They are the enemy that they have to protect themselves from or just escape, run, run as fast and as far as you can. Try to find the hooker with a heart of gold, and if she looks like Heathter Graham, that much better and forget about settling down. "The Hangover" has already become the surprise hit of the summer 2009. I say, well done, it could have been worse

Perhaps, the most startling aspect of "Two Lovers" is Joaquin Phoenix's performance. Superb. I haven't really liked any of the James Gray's films, until now that is. There is something profoundly moving and profoundly truthful here and I'm sure it has to do with Phoenix's portrayal. Gwynneth Paltrow is wonderful as the girl walking an emotional tightrope. And Vinessa Shaw is a real find. I was also moved by Isabella Rossellini as Joaquin's mother! Beautiful and intense but unlike many of her contemporaries not "cosmetic" A real extraordinary face. In fact she looks more like her mother Ingrid Bergman now than she ever did. So, a smart, romantic "dramedy" with wonderful performances. When was the last time I was able to say that? Go see it and tell me if you think I'm exaggerating at all.