shentongnewyork
Joined Jul 2006
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Reviews2
shentongnewyork's rating
Review of Source Code The Good
Think of combining Three Days of The Condor and Moon, and then gamify the hybrid, you get Source Code – almost. A highly enjoyable movie experience with the suspense, the pace, the unknown identity (not quite as exciting and intense as the first Borne Identity movies though), and the pressure to piece together a puzzle that will save a city and redeeming a personal love discovery. Duncan Jones proves he can delivery even more than Moon. And Jake Gyllenhaal's acting was solid.
The Bad
The premise of the story is flawed. It doesn't take much away, but left you wonder after leaving the screening on that premise – did Colter live on in the alternative universe accidentally created by Source Code through the 8 minutes of memory flashback of Sean the teacher?
Goodwin's humanity, and Dr. Rutledge's drive for success is quite cartonized, so was the bomber, and even Colter's personal redemption with his father. Think of the Unthinkable, a thriller that gave every character some layers that as extreme as their actions might be, there is a psychological accessibility for the audience.
Think of combining Three Days of The Condor and Moon, and then gamify the hybrid, you get Source Code – almost. A highly enjoyable movie experience with the suspense, the pace, the unknown identity (not quite as exciting and intense as the first Borne Identity movies though), and the pressure to piece together a puzzle that will save a city and redeeming a personal love discovery. Duncan Jones proves he can delivery even more than Moon. And Jake Gyllenhaal's acting was solid.
The Bad
The premise of the story is flawed. It doesn't take much away, but left you wonder after leaving the screening on that premise – did Colter live on in the alternative universe accidentally created by Source Code through the 8 minutes of memory flashback of Sean the teacher?
Goodwin's humanity, and Dr. Rutledge's drive for success is quite cartonized, so was the bomber, and even Colter's personal redemption with his father. Think of the Unthinkable, a thriller that gave every character some layers that as extreme as their actions might be, there is a psychological accessibility for the audience.
Review of POTICHE (Trophy Wife) The Good
It's a a frothy comedy, but managed to touch upon complex issues of gender, personal triumph and defeat, marriage crisis, ideologies and political dynamics intertwined with personal lives. It's done so without getting heavy, almost effortless, making the viewing experience a delight.
Suzanne Pujol is another star vehicle for Catherine Deneuve. And no matter how many times I've seen this, and regardless of her age, she seems to deserve it as her birth right. Deneuve bounced off descent performances by a star line-up of half of the who's who in French cinema including the likes of Gérard Depardieu, and it was fun to watch.
The plot and the ending are not over the top, though very polished still somewhat true to life. Easy said than done for a personal triumph story in a light comedy.
The Bad
Deneuve seems to be having so much fun in her role, but I never quite cared as much. At more than one occasions, their performance may appear effortless at first, but getting thin and tiring quickly. The characters' youthful indiscretions, twists and turns in the plots seem to be strong spices without good food to cling on to.
The Ugly
It is so polished that, at times, I feel three or four short trailers would have done the job. Kind of like visiting a small pantheon of contemporary French acting Gods in a lazy Sun afternoon.
It's a a frothy comedy, but managed to touch upon complex issues of gender, personal triumph and defeat, marriage crisis, ideologies and political dynamics intertwined with personal lives. It's done so without getting heavy, almost effortless, making the viewing experience a delight.
Suzanne Pujol is another star vehicle for Catherine Deneuve. And no matter how many times I've seen this, and regardless of her age, she seems to deserve it as her birth right. Deneuve bounced off descent performances by a star line-up of half of the who's who in French cinema including the likes of Gérard Depardieu, and it was fun to watch.
The plot and the ending are not over the top, though very polished still somewhat true to life. Easy said than done for a personal triumph story in a light comedy.
The Bad
Deneuve seems to be having so much fun in her role, but I never quite cared as much. At more than one occasions, their performance may appear effortless at first, but getting thin and tiring quickly. The characters' youthful indiscretions, twists and turns in the plots seem to be strong spices without good food to cling on to.
The Ugly
It is so polished that, at times, I feel three or four short trailers would have done the job. Kind of like visiting a small pantheon of contemporary French acting Gods in a lazy Sun afternoon.