phdyr51
Joined Aug 2006
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges2
To learn how to earn badges, go to the badges help page.
Reviews6
phdyr51's rating
I won't argue with anyone who pronounces this film execrable, as is January Jones's performance, but please check her out, if you haven't already, in the AMC TV series 'Mad Men," starting later this month. She's excellent, as is the entire cast. I'll charitably assume she took on the "Taboo" role strictly for the money, and, realizing what a putrid mess it was going to be, turned in a minimal acting job to avoid starvation. Don't know if that's the case, but I (now) know for sure that she can act.
At first, watching "Taboo," I was convinced her flat delivery was a shrewd choice that would later give rise to some significant revelation about her character or the plot. No such luck. Hard to believe the director didn't suggest to her at least once that not changing expression for 17 successive scenes could cause lockjaw.
Ironically, her winning performance in "Mad Men" comes as a character who, at least in her early appearances, is very repressed, reserved, unsure of herself, and rather colorless, not unlike her "Taboo" role. But as the TV series progressed, she began to blossom into someone who questions her traditional early-60's whitebread Mom role. Can't wait to see where they take her character in the 2nd season.
To sum up, avoid "Taboo" like leprosy, but definitely check out "Mad Men."
At first, watching "Taboo," I was convinced her flat delivery was a shrewd choice that would later give rise to some significant revelation about her character or the plot. No such luck. Hard to believe the director didn't suggest to her at least once that not changing expression for 17 successive scenes could cause lockjaw.
Ironically, her winning performance in "Mad Men" comes as a character who, at least in her early appearances, is very repressed, reserved, unsure of herself, and rather colorless, not unlike her "Taboo" role. But as the TV series progressed, she began to blossom into someone who questions her traditional early-60's whitebread Mom role. Can't wait to see where they take her character in the 2nd season.
To sum up, avoid "Taboo" like leprosy, but definitely check out "Mad Men."
With this cast and budget, should have been much more of a sustained laugh fest. Nevertheless, many of the lines and visuals are classics, and everyone aboard is such a pro that you can forgive the deader stretches. Marty Feldman does a lot with not much material, while Peter Cook's beyond-deadpan mutterings are frequently hilarious. Disappointing were Peter Boyle and Tommy Chong, the latter to the point of inducing nausea. Cheech Marin fares better, but only because his character is written with marginally more dimension. Loved David Bowie's cameo and Madeline Kahn's pluckiness. James Mason, however, looks vaguely uncomfortable (not to mention feeble) in his few scenes, which, sadly, do not contain any glittering gags.
All in all, you will definitely laugh, cringe, and yawn, but won't regret tuning in.
All in all, you will definitely laugh, cringe, and yawn, but won't regret tuning in.
