SpringsNoir

I taught HS history and used very few commercial movies in teaching...the exceptions included GALLIPOLI and PATHS OF GLORY and the newer remake of ALL QUIET. I've never watched a film that builds plot, mood and theme any better than Gallipoli. While there are many light-hearted and humorous forays which add to character development, the ongoing drum-beat of the film is war, war, war--attack, attack, attack. I can't imagine any better musical score or musical editing:the juxtaposition of elegant Strauss waltzes the night before debarkation with the funereal Adagio as the troops cross the water is genius. I'm surprised that we haven't seen more of Marc Lee-the idealistic Archie. He does a wonderful job along with a VERY young Mel Gibson. When I showed the movie to my classes I was careful to watch THE STUDENTS as the final scenes arrived rather than the film. Now THAT was telling! I absolutely commend this film to all! (ADDED)BTW...Brits---try not to take the criticism of the military operation as criticism of YOU...I think the entire film was meant to be an indictment of war as an instrument of national policy. Your very own John Keegan observed that once wars begin, they have a way of creating their own momentum and justification. It's for this reason that Herodotus said that "all wars are popular in their inception". The film, as I viewed it, was about the futility of war, the fixation of military commanders to fix the "previous war" and the price we pay for stupidity. The lesson should not be lost on the US in Iraq either.

This was included as a bonus with the DVD "42nd Street". Also included were some NRA features describing a day at work in Hollywood. Most of this stuff is pretty self-serving but in the depths of the Depression who could blame Hollywood for putting their best foot (hoof) forward? In rapid fire succession we get candid glimpses of Jimmy Cagney (just a regular guy, they state, Dick Powell, and a host of Hollywood luminaries. Incidentally, Cagney must have been there to shine up Joan Blondell, who IMDb correctly identifies as having been madly in love with Blondell---who could argue with that? The 20's fascination with collegiate/campus life hadn't faded yet with the Columbia football team and a lot of sophomoric soft shoeing by Hal Leroy--is he related to Jim Carrey? All in all it was a nice TV Guide kind of visit to people from another world.