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kaelka

Joined Oct 2006
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings2.4K

kaelka's rating
High Society
5.66
High Society
The Wolf's Call
6.97
The Wolf's Call
Unhinged
6.06
Unhinged
The Good, the Bad, the Weird
7.27
The Good, the Bad, the Weird
The Drug King
6.26
The Drug King
A Bittersweet Life
7.58
A Bittersweet Life
The Age of Shadows
7.17
The Age of Shadows
All About Me
7.36
All About Me
I Care a Lot
6.47
I Care a Lot
Deliver Us from Evil
6.87
Deliver Us from Evil
White Boy Rick
6.56
White Boy Rick
Room
8.18
Room
Someone, Somewhere
6.67
Someone, Somewhere
The Sessions
7.26
The Sessions
The White Tiger
7.16
The White Tiger
Lucid Dream
6.16
Lucid Dream
#Alive
6.36
#Alive
Asura
6.77
Asura
Paterson
7.37
Paterson
Sound of Metal
7.78
Sound of Metal
The Call
7.17
The Call
The Man Standing Next
7.06
The Man Standing Next
Midsommar
7.18
Midsommar
Mulan
5.86
Mulan
Soul
8.06
Soul

Reviews1

kaelka's rating
A Coffee in Berlin

A Coffee in Berlin

7.3
10
  • Nov 11, 2012
  • A terrific gem about urban youth, life, Germany and the absurdity of all of it

    "Oh Boy" is a special movie and a very German one too. We follow the protagonist Niko Fischer, played by a superb Tom Schilling, through an entire day in vernal Berlin. This day is filled with several episodes in which director Jan-Ole Gerster manages to portrait the various aspects of life in modern Berlin - whether its the Kafkaesque bureaucracy one has to deal with on a daily basis or the never-ending struggle to find normality in the midst of hipsterdom and self-proclaimed avantgarde attitude which makes Berlin so popular amongst party people all over the world.

    What is more, Gerster even succeeds to weave Germany's grim past into the story-line by reminding the viewer every now and then how pointless and redundant many aspects of our lives are in comparison with the unatoned horrors committed by Germans on their own turf and all over Europe.

    Niko Fischer can be seen as the conscience of those of us who cannot help but deal with what it means to live in Germany and be a German on a daily basis. It might be even difficult to understand the movie in its wholeness for a foreigner as it is with literature by Hesse or Kafka, authors that largely contributed to this piece by making hilarious absurdity and tragedy confluent. The club toilet scene with Niko's schoolmate is key here and has almost Freudian dimensions.

    Anyhow, I highly recommend watching this film, last but not least because I tremendously identify with it.

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