Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysToronto Int'l Film FestivalHispanic Heritage MonthIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
nydjames's profile image

nydjames

Joined Dec 2006
Darrell James has worked in plays, movies, television, and radio throughout the United States and Canada, and Europe. Some favorite work: BADGE (dir. Jenn Thompson); Reader (dir. Ianthe Demos); Oedipus at Colonus (dir. Rachel Kitzinger); SLEUTH with Ian Ogilvy (dir. Alan Bailey) for which he won the Los Angeles Drama Critics Dramalogue Award for Best Actor. Tales of Washington Irving (dir. Bart Sher), and The Importance of Being Earnest (dir Sari Ketter); Film: Mr. Gibb with Tim Daly. Television: The American Revolution on the History Channel; as well as numerous commercials. Training: Mr. James is a graduate of The National Theatre Conservatory and the Academy for Classical Acting. In addition, Darrell has taught acting at Vassar College for 8 years and has written for several publications including Time Out New York and PASSPORT.



Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

Badges5

To learn how to earn badges, go to the badges help page.
Explore badges

Ratings1.8K

nydjames's rating
Bad Day at Black Rock
7.78
Bad Day at Black Rock
Superman
7.28
Superman
The Contractor
5.88
The Contractor
Combat Shock
6.23
Combat Shock
Weapons
7.68
Weapons
Alien: Earth
7.68
Alien: Earth
Oculus
6.56
Oculus
The Taking of Pelham One Two Three
7.68
The Taking of Pelham One Two Three
The Life of Chuck
7.48
The Life of Chuck
Bosch
8.58
Bosch
And the Desert Shall Blossom
6.97
And the Desert Shall Blossom
Final Destination: Bloodlines
6.77
Final Destination: Bloodlines
Indiana Jones and the Last Crusade
8.210
Indiana Jones and the Last Crusade
Untamed
7.28
Untamed
Clown in a Cornfield
5.63
Clown in a Cornfield
Bring Her Back
7.28
Bring Her Back
Vanishing on 7th Street
4.96
Vanishing on 7th Street
Demonic
5.36
Demonic
Long Distance
5.77
Long Distance
The Shade
4.55
The Shade
Tales from the Void
5.36
Tales from the Void
Plastic Smile
6.87
Plastic Smile
Cleaner
5.24
Cleaner
Rear Window
8.510
Rear Window
Mechanic: Resurrection
5.74
Mechanic: Resurrection

Reviews24

nydjames's rating
Clown in a Cornfield

Clown in a Cornfield

5.6
3
  • Jul 16, 2025
  • Lipstick on a Pig

    Clown in a Cornfield (2025) is garbage. Sure, it's well directed-but it's well directed garbage. It's like they brought in a professional filmmaker to shoot a high school play starring only the jocks and cheerleaders. The acting is stiff, the dialogue is cringey, and the characters are so thin you forget their names before they die. The kills are lazy, the tension never builds, and the whole thing feels like a stitched-together checklist of slasher clichés. It wants to be a throwback, but brings nothing new and doesn't even do the old stuff well. It's all style, no soul, and not a shred of wit or originality. I gave it a 3/10. If you value your time, skip it.
    Bring Her Back

    Bring Her Back

    7.2
    8
  • Jul 15, 2025
  • Visceral, haunting, and beautifully acted-just wish I had a ritual decoder ring.

    Sally Hawkins delivers a fearless, gut-wrenching performance in Bring Her Back, a horror film that's equal parts emotional devastation and grotesque body horror. The acting is superb across the board, the atmosphere is suffocating in the best way, and the direction keeps you guessing-right up to the moment you realize you're not sure what the hell just happened.

    At its core, the story is about grief, obsession, and a mother's willingness to cross literal demonic lines to reclaim her lost daughter. And while I admired the ambition and symbolism, I'll admit: the mechanics of the occult ritual got a little murky. There's possession, corpse-munching, soul vomit, and a drowning-but the how and why of it all isn't laid out clearly. I had to mentally diagram it afterward like it was a scene from Alien crossed with Hereditary.

    Still, this thing looks gorgeous. The sound design is unsettling, the pacing works, and despite a few "wait, what just happened?" moments, it never lost my attention. If you've got a strong stomach and appreciate elevated horror with actual emotional stakes, it's absolutely worth a watch.

    One warning: there's some intense body horror-less boo, more bleugh. If that's not your jam, consider yourself warned.

    Bottom line: creepy, classy, and a little confusing. But damn, it sticks with you.
    Until Dawn

    Until Dawn

    5.7
    4
  • Jun 30, 2025
  • A Shining Example of How Not to Make a Horror Movie

    Until Dawn isn't a movie - it's a chaotic montage of disconnected nonsense stitched together with the world's loosest thread of logic. It plays like an AI-generated horror script where every character says, "Let's do the dumbest possible thing next," and then the director says, "Perfect, print it."

    There is no suspense, no cohesion, and worst of all - no intelligence. Every single character behaves like they've never seen a horror movie in their life. It's one boneheaded decision after another. I can forgive a bad monster or a weak twist, but I cannot forgive lazy writing that assumes the audience is as stupid as the characters.

    Compare this to something like Barbarian, where the heroine actually thinks, adapts, and reacts like a real human being. In Until Dawn, it's just: walk into danger, scream, repeat. No stakes. No strategy. Just a highlight reel of horror tropes with none of the tension or payoff.

    Save your time. Watch literally anything else - or just stare at a blank wall. It'll respect your intelligence more than this poop.
    See all reviews

    Check-ins44

    • A Knight's War
      Feb 18, 2025
    • A Knight's War
      Feb 18, 2025
    • Pocahontas 2: Journey to a New World
      Feb 28, 2022
    • Dark Floors
      Sep 7, 2015
    • The Friends of Eddie Coyle
      Aug 26, 2015
    See all check-ins

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.