tfs-admon02

Richard Burton stars this film in which he is the British Captain Foster, who rescues some British doctors and some few soldiers from e convoy in which the Germans carried them to Tobruk. Captain Foster divide these British men so that some of them feign to be German and the others are the sick ones. So, leaving the German soldiers in the desert, they go to Tobruk, where they destroy the fuel deposits and then the canons so that the British Army can arrive at Tobruk port. Although the plot can sound nice and entertaining, Hathaway does not develop their characters (for example, the Italian prostitute is only decorative) and the Germans are very easy to be cheated. The director tries to adapt to the modern times, using many zooms and, perhaps, from the content point of view, in the character of Richard Burton, who is really an antihero: Captain Foster is a Maquiavellian man, who does not respect the Geneva conventions'rules, attacking a sanitary German convoy and using prisoners of war to get his aim. There two curiosities about this movie that I would like to remark: the first one is the use of war images from Tobruk by Arthur Hiller, which was also produced by Universal; the second one is that the filming location was in San Felipe, in Baja California Norte (Mexico) in spite of Africa. These facts show us that this film was B war movie in budget and in quality.

I make a difference, referring to war movies. There are some that are very faithful to the history such as Midway, Tora, Tora, Tora and there are some that emphasize the epic and heroic aspects of soldier life in terrible circumstances. I have to say that I am more interested in the second ones such as The Dirty Dozen, The Eagle has landed, etc. Counterpoint belongs to the second category. A famous music director (C. Heston) and his orchestra is kidnapped by the Nazy army in Belgium. The German General (M. Schell) wants this orchestra to play for him but the director delays this concert as much as possible to avoid his musicians to be killed. I think Ralphn Nelson felt some empathy for the character, starred by Heston because he was in the Army in the II World War and participated in different plays in Broadway to entertain people in the same way Heston tries to entertain soldiers in the cold Europe. Schell and Heston perform their roles perfectly: they admire each other but war has placed them in different sides of the river. Schell is far from the archetype of the Germans in the Hitler era. There is a love subplot between Heston and one old love, his musician,Kathryn Hays, who is now married with a partner, a serious Leslie Nielsen. This love story and the sequence in which an American soldier is nearly discovered by a German Colonel but he feigns to be a musician of the orchestra, playing the U.S. hymn, remind me of Casablanca. The cinematography of Russel Metty, in which the shadows have a relevant role, is quite brilliant. So, it deserves to be seen.

Juan Carlos del Castillo Álvarez