wcashley

This movie provides an insight into a world that is difficult for many people to see or understand. The film is beautifully shot, and the scenes and sounds of Australia are magical. The acting is first rate, and the script is very clever. Many of the things Charlie says to European Australians don't make much sense, but in this movie we are able to understand what Charlie is thinking when he says these things, and so we understand perfectly what is meant by every sentence he utters. The sense of longing, and of loneliness is palpable, as is the passionate love of country. The dance scenes with the children are uplifting and lovely. This is a moving and beautiful film, and a huge bridge for building understanding and empathy for a different and valuable culture.

This movie is both perfect and imperfect. Perfect because it has amazing horse riding scenes, beautiful cinematography and music, wonderful acting from Jack Thompson who captures the quintessential Clancy of the Overflow of Australian legend, and a great performance from Tom Burlinson, and showcases the skills of the 'real deal' cattlemen of the high country who acted as extras in the horse chase scenes, and finally because it can bring a tear to the eye the way Banjo Paterson's poem has for 120 years. This film was clearly a work of love and that is wonderfully conveyed.

However it's also imperfect because Kirk Douglas simply doesn't work in this context, and his two roles seem at times ridiculous. The storyline also meanders around at times, mostly in relation to one of Douglas's two characters, and it just seems a pity that an otherwise wonderful film has these flaws.

This is a movie to stir the heart, and well worth watching, and the horse chase scenes in the movie are now as much a part of Australia's culture as the original poem.

I loved this version. Tom Hardy is a genius, and his Heathcliff has stayed with me long after the film finished. Charlotte Riley is also very good, as are the other cast members. I've read the comments about Heathcliff and Cathy having sex, and this being a diversion from the original book, however, Emily Bronte makes it clear in her text that Heathcliff and Cathy spend many unsupervised hours on the moors together. This in itself was shocking in the days when every unmarried young lady required a chaperone, but I think Emily was leaving it up to us, the readers, to decide what Heathcliff and Cathy did with their time together. I think the interpretation in this film is a valid one. Tom Hardy's musings at the end, on his life, and on the possible futility of his revenge were very convincing and haunting. This is a film you won't forget in a hurry.