ritzb86
Joined Nov 2007
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ritzb86's rating
28th Dec, 2018 - the date should be marked with BOLD RED in the evolution of television industry.
Charlie Brooker along with Netflix has just kick started a new era where not only the creator but also the observers will start taking control over the storytelling.
From complete story ( or should I call it a game!! ) pov one may choose not to put it on a very high pedestal (that's why I chose to give it 9/10), but the possibilities that this particular creation has revealed is just enormous. Bandersnatch is not just a choose your own adventure story. It's actually much more complicated than that, as things you do in one "timeline" of decisions can affect other timelines, even if you pick the option to do it over. And as you go deeper and deeper into it, the circuitry in you brain ll start frying out gradually.
From complete story ( or should I call it a game!! ) pov one may choose not to put it on a very high pedestal (that's why I chose to give it 9/10), but the possibilities that this particular creation has revealed is just enormous. Bandersnatch is not just a choose your own adventure story. It's actually much more complicated than that, as things you do in one "timeline" of decisions can affect other timelines, even if you pick the option to do it over. And as you go deeper and deeper into it, the circuitry in you brain ll start frying out gradually.
Many of us, specifically people of Bengal residing out of Bengal , are in a habit of crying out loud most of the time saying "Ei Bangalir dwara ar kissu hobe na [ Nothing good ll happen by these Bongs ]". But then something like this happens and you start wondering - would it be possible by any other person apart from a Bengali !? I have my doubts.
"Labour of love" or "Asha Jawar Majhe" - it is nowhere close to the very idea of film that we usually have in our mind. The 84 min journey is mundane,monotonous,banal in all its senses - but then you ll realize it is just depicting a single day of our very own life which itself is of the same nature.
This film has only two characters and none of them has a single dialogue. Because conversation is not mandatory to capture neither the repetitiveness of our daily chores nor those few special moments [ a window - one can say here ] for which we gather the energy to complete our hackneyed routine.
The level of detail of this film - I could not recall a single colored Bengali film which have the same. When the camera unusually zooms in and lingers over the seemingly insignificant things - the cracked wall, the sunset, the clothesline, the revolving cycle - it surely test viewer's patience but also tells a story - a story where everyone of us is fighting our daily battle to survive ; Sorry , not "to survive" , but "to love". The whole slow-pace was just an intriguingly exquisite build-up for the last 5 poetic min, where we comes to realize that - yes, to cherish just a few moments of love, we are being able to continue our vapid journey; we are ready to be a "Labour of Love".
Aditya Vikram Sengupta - What have you created!!!!
NOTE: Not in a mood to go into the insipid details of direction,camera,cinematography,sound or acting cause if all these have not been perfect, THIS experience wouldn't have been created at the very first place.
"Labour of love" or "Asha Jawar Majhe" - it is nowhere close to the very idea of film that we usually have in our mind. The 84 min journey is mundane,monotonous,banal in all its senses - but then you ll realize it is just depicting a single day of our very own life which itself is of the same nature.
This film has only two characters and none of them has a single dialogue. Because conversation is not mandatory to capture neither the repetitiveness of our daily chores nor those few special moments [ a window - one can say here ] for which we gather the energy to complete our hackneyed routine.
The level of detail of this film - I could not recall a single colored Bengali film which have the same. When the camera unusually zooms in and lingers over the seemingly insignificant things - the cracked wall, the sunset, the clothesline, the revolving cycle - it surely test viewer's patience but also tells a story - a story where everyone of us is fighting our daily battle to survive ; Sorry , not "to survive" , but "to love". The whole slow-pace was just an intriguingly exquisite build-up for the last 5 poetic min, where we comes to realize that - yes, to cherish just a few moments of love, we are being able to continue our vapid journey; we are ready to be a "Labour of Love".
Aditya Vikram Sengupta - What have you created!!!!
NOTE: Not in a mood to go into the insipid details of direction,camera,cinematography,sound or acting cause if all these have not been perfect, THIS experience wouldn't have been created at the very first place.
Jatishwar - The best possible start of a year Tollywood can expect.
Surely Srijit's best work till date. The style of linking that old KOBIGAAN with today's BAND Performances, the way of using skip scene to relate between very two different generation of Bengali Music was just marvelous. Apart from those aspect ,maintaining a proper storyline with some subtle emotion and a sublime love story - he deserves accolades for that. About acting everybody was good to their part.Jishu looks and acts beautifully.But when Prosenjit is there and decided 2 act it is hard 2 notice anything else. Top notch performance by our own Bumba DA, it is at per with Moner Manush,Autograph,22e Shrabon if not something more. Now comes DA best part of this movie - Kabir Suman. Credit goes to Srijit to let him explore the Bengali music at his own will. Suman almost played with Bengali Music in this film. One moment we are in 18th century Kobigaan asor with Vola Moyra and within a blink we come down to psychedelic rock of Sidhu,Rupam. Total 22 song in this film and it finishes with "E Tumi kemon tumi" and "Jatiswar". It wouldn't be possible by any other person apart from Suman.
A treat to watch. A musical journey. A nostalgic representation of Bengali Music.
Surely Srijit's best work till date. The style of linking that old KOBIGAAN with today's BAND Performances, the way of using skip scene to relate between very two different generation of Bengali Music was just marvelous. Apart from those aspect ,maintaining a proper storyline with some subtle emotion and a sublime love story - he deserves accolades for that. About acting everybody was good to their part.Jishu looks and acts beautifully.But when Prosenjit is there and decided 2 act it is hard 2 notice anything else. Top notch performance by our own Bumba DA, it is at per with Moner Manush,Autograph,22e Shrabon if not something more. Now comes DA best part of this movie - Kabir Suman. Credit goes to Srijit to let him explore the Bengali music at his own will. Suman almost played with Bengali Music in this film. One moment we are in 18th century Kobigaan asor with Vola Moyra and within a blink we come down to psychedelic rock of Sidhu,Rupam. Total 22 song in this film and it finishes with "E Tumi kemon tumi" and "Jatiswar". It wouldn't be possible by any other person apart from Suman.
A treat to watch. A musical journey. A nostalgic representation of Bengali Music.
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