mennito

Most of the horror movies are based on fear of the unknown. I find here three innovative angles: -1- Creative set design. A number of props used in scenography are an unusual set of artifacts. Even the otherwise innocent wallpaper is creepy.

-2- Outstanding photography. Use of contrasting light and dark spots give a sense of eeriness and surreal.

-3- theology as the underlying theme. Some people might disagree with Mr. Reed's thesis on creed, as it might shock their beliefs. However, it is an interesting and riveting way of using religion as a canvas for a horror movie. Food for thought. No spoilers here.

The movie follows the book only 20%. The core argument has been changed. The seductive character of Camilla is absent. Some other characters are missing. The intellectual essence of the novel has morphed in a diluted James Bond action with a level of violence that is in no way warranted.

presented at the French film Festival in Wellington, this film portrays a slice of contemporary society in France. 50 years after the independence of North African countries, children and grand children of immigrants have integrated into a wider context.

There is no story line as such, rather a sequence of mini events in the life of two friends, with two socially opposite Parisian suburbs as a backdrop: the affluent Neuilly and its modest counterpart Puteaux. This polarity enables some misunderstandings about who lives where adding an amusing touch to the mural.

Brilliant acting from both Leila Bekhti and Geraldine Nakache (also the director) Virginie Ledoyen is impeccable albeit in a supporting role.