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The film is based on a typical British texture. We watch the criticisms and passions between the rich and the detectives, from the caste system between the rich and the rich to be 'richer'. If a spooky house has a spell, it does not go beyond successful architecture. "Crooked House," which is aimed at updating the adaptations of Agatha Christie, continues to follow the "Murder on the Orient Express" vision that has been on the horizon over the past few months, but unfortunately continues to fail the East Express and not come out of the shadow of Christie's adaptations, which have already been regularly photographed until 2013.

Theatrical dialogues can be successful in a 280-page romance. The character's black-eyed winker is exaggerated, and in some places it may turn out to be a readers' head in a rumble. However, a story with 11 main characters in a production that is close to 2 hours is already very difficult to be successful.

Soon will the horn pass through the ear? Can we follow a Christie adaptation that will erase the traces of the past one day? So hard. Today's technology is so hard to get into and out of touch with - as long as the '40s are trying to be staged in character with a postmortem spirit. Well, it's not strange that such an adaptation keeps abrupt when there are serious differences between the rich of the '40s and the rich of the present.

The film basically tells youngsters who fall into korean ways to find in the middle of the power balances the contradictions between the zombies who have been exposed to the virus and the local people who have not been exposed to the virus.

Mucahid Pehlivan, writer and director; after we have passed these stereotypes, we are leaving us with a 'character film'. I'm not even talking about the six young people who just fall in love. The local zombies are characterized by carrying them far beyond their peers abroad. These zombies can use tools, move with a hierarchy and a culture of allegiance, move forward without question on the leader's trail ...

"Sandik", without having to resort to any form of rape, harassment, sexual violence, or misplaced sex, despite the presence of three young actresses and mainly dark scenes in the various scenes, flux of the forehead is leaving the curtain.

The movie continues to progress with stock images, without saying "huh?" After having made an entry with certain images in every way they are in stock. However, the 'find movie' we have seen in the extreme variant version abroad goes far beyond the work and fictional depth. The trouble starts here a bit. Yes, there is a story in the background and yes the film continues to progress, but normal filming (which is sad enough to describe the images in a film as 'normal' shooting, it is definitely a separate text) .

So much so that in many books and movies the nature circuses have a serious place in the background (when there is a lunar eclipse in the foreign movie in my cave, which we are already seeing for the past week), even if the same full moon image is included in the ten- direction. Even if my eyes do not mislead me, even a stock image with the 'Samara' on the Ring movie is confronted as being attached to a film place.

It is not enough ... 666, toy dolls; From the pregnant woman to the genie / uncertain creature figures, many different elements of fear accompany us throughout the film at random. So, at one point, my first thought that they were trying to give mental subliminal messages with the 25th frame technique, which was used to increase sales of popcorn and coke. But he was not even there. I guess.