Filmykitanu

Param Sundari is another romantic movie with bad casting. The story is OK. I kept wondering why they didn't cast a Malayalam or South Indian actress if they wanted to portray a romance between the north and south. Janhvi was bad, and Siddharth was just okay. Many of the scenes are well-written, but because of the bad casting, the movie felt 'meh!'"

I watched this film the other day because I felt that many good Odia movies are being released lately, and of course, the trailer looked decent. However, this is one of the most amateurish pieces of writing I have seen in recent times. The story is predictable; the character development is weak and poorly handled. The dialogues are overly melodramatic, like in the 1980s, and the screenplay is exaggerated and over the top, mostly bad.

All of the characters are introduced with slow-motion shots. For example, the female reporter , but her struggles in the office or whether she stands up for what is right are never shown. The hero delivers a monologue about Odia people and community, but it feels unrelated to the film, as there is no scene showing whether he truly believes what he says. The hero's father arrests his son without even questioning him, simply to create a dramatic moment. And in this serial killing film , the police investigation is almost zero. On the murder scene the forensic guy says" the DNA doesnt match ", how the fock the matched the DNA?

There are several , i mean "severaaaalllll" ridiculous scenes that neither advance the story nor shed light on the characters. I won't even talk about the killings; they are equally absurd and unintentionally funny. On a positive note, all the primary actors have performed well, and the cinematography is good.

"I went into Bou Buttu Bhoota with huge expectations after all my friends insisted I watch it. The film started nicely, and I was genuinely proud of the director. But after the first act, it went downhill faster than Zayed khan's career. Post-interval, it felt like everyone from the cinematographer, director, editor, and writer were on some wild trip-except the actors, who were amazing throughout but left stranded. The screenplay was messy and amateurish, the editing choppy, and the scenes jumped around with no rhythm. Even the horror treatment after Buttu becomes Bhuta was below average, and trust me, I'm someone who gets scared very easily. There was zero eerie atmosphere, just confusion.

The writer chose to put all the logic in a jar and threw it in the river. Just when tension would build, they would cut to something irrelevant, killing any momentum. Buttu's flashback about his father added nothing, and Amri's tragic backstory fell flat because they barely spent time on it. There was no proper closure for either character, Buttu or Bhuta. And don't get me started on Bhuta. Ghosts usually have some kind of motive, right? Revenge, unfinished business-something. This one just floated around like, "Hmm, should I terrify someone today? Nah, maybe tomorrow." One second he's running, the next he's flying-sometimes powerful, mostly just... lost.

Still, credit where it's due. It's making crores, and that's great for the industry. Maybe next time, though, they'll focus on storytelling instead of just vibes.