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meyermihm

Joined Apr 2009
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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meyermihm's rating
Night Editor

Night Editor

6.7
7
  • Mar 15, 2010
  • A femme fatale discovery

    I just found my newest femme fatal favorite. Janis Carter, who plays an incredibly sexy but psychopathic society woman having a deranged affair with a police detective in the 1946 C-level noir Night Editor. Never saw her before. When she and the detective witness a woman being clubbed to death while they're sitting in a lover's lane, the Carter character suddenly starts yelling, "I want to see the body." Man, when this lady asks for a "date" with her cop lover, you know she's not fooling around. This actress was far more convincing as a dangerous seductress than most of the other actresses playing those roles in the 40s and 50s, with the exceptions of Barbara Stanwick and Gloria Grahame. What a waste that she didn't appear in more and better noirs.
    Deception

    Deception

    7.0
    9
  • Apr 13, 2009
  • A way underrated treasure

    How did I never come across Deception (1946) before? It's got to be Claude Rains' most delicious role. He absolutely has a blast playing the grand, tyrannical, jealous composer who hates giving Bette up to Paul Henreid, her former lover who has just returned from Europe at the end of the war. Both men are wickedly jealous of each other. The scene where the great composer unexpectedly arrives at Bette's and Paul's festive wedding party at her great loft apartment overlooking the river in New York (modeled on Leonard Bernstein's apartment) and trades poisonous banter with Bette and Paul makes the movie worth it by itself. But every scene is a gem, such as the scene where Claude takes them to a haute cuisine French restaurant and spends 10 minutes going back and forth over whether to order pheasant, trout, or saddle of lamb and whether to go with a Hermitage or a Vosne Romanee wine. This is some of the sharpest, wittiest dialogue I've seen in a movie, rivaling Ernst Lubitsch and every bit as good as in All About Eve. Oh, and I forgot to mention the amazingly good symphony performance scenes, with an original cello concerto by Korngold, ("played" by Henreid with the arms of two real cellists reaching in from either side to play the instrument). And Bette, a trained pianist, playing Beethoven at her wedding party (she really wanted to play it herself but Jack Warner decided against it but you can see she knows what she's doing in fingering the keys). If you haven't seen it, do check it out.

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