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amaklp's profile image

amaklp

Joined Apr 2009
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings1.7K

amaklp's rating
Together
6.87
Together
Anyone But You
6.11
Anyone But You
Weapons
7.66
Weapons
Bring Her Back
7.29
Bring Her Back
Twilight
5.34
Twilight
Lost in Starlight
7.16
Lost in Starlight
Fifty Shades of Grey
4.21
Fifty Shades of Grey
Lowlifes
6.25
Lowlifes
Challengers
7.07
Challengers
Heretic
7.07
Heretic
28 Years Later
6.78
28 Years Later
28 Days Later
7.57
28 Days Later
Sinners
7.66
Sinners
Final Destination: Bloodlines
6.86
Final Destination: Bloodlines
Moana 2
6.56
Moana 2
The Hateful Eight
7.87
The Hateful Eight
My Sunshine
7.07
My Sunshine
Wallace & Gromit: Vengeance Most Fowl
7.57
Wallace & Gromit: Vengeance Most Fowl
Crash
7.76
Crash
Nosferatu
7.29
Nosferatu
Speak No Evil
6.87
Speak No Evil
A Charlie Brown Christmas
8.36
A Charlie Brown Christmas
Anora
7.49
Anora
Why Him?
6.23
Why Him?
Gladiator II
6.55
Gladiator II

Lists4

    Reviews1

    amaklp's rating
    8½

    8½

    8.0
    8
  • Dec 20, 2019
  • 8½/10

    What can anyone say about this film? It's one of a kind, and simple words can't really describe it.

    The famous Italian director Federico Fellini presents us the journey of the highly surrealistic thoughts of a filmmaker, who suffers from, what we could call, Director's block. The protagonist, who seems constantly tired, is surrounded by many different people, friends, associates, priests and mostly... women; struggling with his weird fantasies of the current events of his life and memories of his childhood. All of these scenes take place in many different phantasmagoric sets, where multiple, for the most part random, conversations occur simultaneously, making him continually engaged and, in a way, frustrated.

    The production design is exceptional, with huge sets and dreamlike settings, while the cinematography (Fellini's last black and white film) is very unique and teases the viewer with alternate focusing and artsy compositions. The music theme is for the most part classical symphonies from Tchaikovsky, Wagner and Chopin, beautifully edited with the rhythm of the film.

    This is a drama with many subtle doses of comedy and a surreal analysis of the thoughts, relationships, affairs, fears, dreams and memories of the protagonist. Some viewers can find a bit annoying the randomness of the script and editing, where mostly unexplained things occur, but others can completely immerse in this insane trip and fully enjoy it.

    If you've seen some movies of Charlie Kaufman, a good explanation of what to expect is a wedding between Adaptation and Synecdoche, New York. If you haven't seen any of those, then you can go ahead and experience something you've never had before!

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