Bromios

This drama is very much in the style of 'Who's Afraid of Virginia Woolf'. Instead of a mid western college, this film is set in the office of a Spanish company. The four founders of the company are in deep trouble, all of them about to go to jail for tax evasion. However, there might be a way out, if one of them can take the fall and go to prison for seven years, then the rest can be saved.

The four founders hire a mediator to help them work through this dilemma. The founders are three handsome men and a beautiful female CFO. All are young, clever and persuasive. The mediator is the perfect foil, old, short, plain looking and slightly withdrawn. Over the course of the film, the founders tear each other apart whilst the mediator gently moves them towards a conclusion. A truly gripping drama. The only draw back for a non-English speaker is that the dialog is so complex and the speech so rapid fire, that sometimes it is hard read all the sub-title.

A great film, almost certain to be done over by Hollywood, watch it before it is ruined!

An entertaining movie, with flashes of brilliance. The opening sequence was a sensual delight and Lombard was entrancing from go to end. Wenham has his moments. The plot was convoluted enough for the the keenest crime aficionado. The direction was uneven, but overall I had the sense that Joffe was back, but has yet to settle in.

Some of the police behavior did not ring true, but then again, I I guess it was all possible. Set in Sydney and on the road to Wollongong, the film highlighted some parts of NSW that don't normally make it to the movies.

Worth watching if you want a pleasant evening watching an interesting drama, a beautiful mature women, and glimpses of Sydney.

A surprisingly good movie. Surprising, partly because it was Harry Connick Jnr, partly because of the low budget, partly because the subject matter could have so easily lent itself to schmaltz.

Harry Connick Jr turned it a great performance. He somehow added the right amount of nerd to give a realistic feeling performance. The director triumphed over the budget, creating a compelling movie. Particularly striking was the effective deployment of a disused cliché, the white fadeout. The treatment was sensitive, with a true feel for the complexities involved in such a life and death area.

The film is not easy to watch in places, the ending is somewhat patronizing, but overall, an enjoyable and enriching experience.