ronocalabrese

Let me start by saying what I saw at the Austin Fantastic Fest was very much still unfinished and a work in progress, as it proclaims at the outset. So what was screened was extremely rough. The projected image was dim and washed out because it was a video projector instead of a film projector and a friend said it was played from a laptop. The image did freeze a few times.

Okay, that stuff aside, how was the film itself? The words raw, shocking, disturbing and, like Ken Russell's or some of Oshima's films. Thought provoking and a film you watch from a distance because EVERYTHING is symbolic and stuffed with subtext and is as sexually violent as it gets. This might get an X rating I would think.

The film doesn't exist in a civilized reality but in Cody's (Pare) twisted mind, in his darkest feelings for the world. It really is like we are experiencing his stream of consciousness and its so distorted and angry. I will have to admit that Road to Hell screening immediately after Streets of Fire really does create a vivid contrast in how life doesn't always turn out well for the hero. And, like in Taxi Driver, this creates an almost pure force of rage against society. The violence and brutality is really window dressing in a sense as the film's true intent is the study of disillusionment and alienation.

It will be interesting to see the finished product because it is clearly ambitious in it's look and design. It's day-glo noir. What we saw was very unfinished and still needed work. Some shots were just against a green screen still with no background.

Pare gives the best performance I've ever seen from him. He's sexy, dangerous and evokes deep tragedy and a real sense of loss. We feel his disappointment in humankind and in life. In his view, there's nothing worth saving anymore. The only salvation before he becomes an utter monster is to find his long lost love Ellen. His great love from a time when the world still held some hope for him. You get a sense that the film was somehow cathartic for Pare as he goes full out in giving this searing performance.

As the she devil incarnate is Clare Kramer. What a performance. One moment she's the vilest creature ever to walk the earth and in the next you are rooting for her to achieve her dreams. Its an incredibly fine and brave performance by an actress I liked but now love. I won't give anything away but she becomes endearing by the end of the film. No easy task considering how vile she is throughout much of the film. She is raw and discomforting with brazen nudity included.

Everything about the film is stylized. It has an odd cadence to the speech patterns and has a noir feel to the language. Hardboiled and coarse and feeling like its drama is rooted in a experimental stage drama. It culminates in theatrical and surreal horror and madness.

How will people like it? I can't say until I see the film finished. But I would recommend watching Streets of Fire before watching Road to Hell to get the full view. This film may not be everyone's cup of java but it certainly not like any other film I've ever seen or felt. I might still give it a ten once I see the finished film.

Maybe it was my expectations but it was one of my most empty and dispiriting experiences at the movies in a long time. It would seem that Apatow, armed with creative freedom and financing, would scale new heights but instead aims so middle of the road and mainstream it almost feels like he is a Stepford Director and Writer here.

There are no ideas here but only a lazy effort at telling a story so uninspired that it defies belief. All the subversive thinking and insightful views of modern living are gone. It's like a Steve Martin comedy! Bankrupt of everything that made Apatow's films so delicious and thought provoking in the past. As you can tell the film really depressed me.

Yes, we can complain about Transformers and torture porn but those films don't aspire to be anything more than what they are. But when a movie like Funny People comes along with the push as a high end comedy drama, I'm sorry. It is far more obscene and reprehensible. And this film isn't in the shoot high but fall short category. This is all about take the cash and run and flipping off the audience in arrogance.