booon_tips
Joined Oct 2009
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Today, I watched the Telugu feature film "Thank You Dear", the debut of young
director Thota Srikanth Kumar. This emotionally resonant drama skillfully blends romance, crime, and thriller elements, offering a fresh perspective on a pressing societal issue.
What's It About, and What's the Takeaway?
'Thank You Dear' follows Satyam, an aspiring director, and Priya, a determined real estate agent, as they navigate love, conflict, and a life-altering tragedy involving a neighbor's infant. The film is a heartfelt exploration of love, accountability, and the devastating impact of smoking- a habit that has become a dangerous trend among Indian youth.
Srikanth's debut reflects his keen observation of this societal vice, portraying its toll on individuals, families, and friends with sincerity and passion.
As a first-time director, Srikanth infuses the film with warmth and authenticity, a rarity in today's cinema. He masterfully weaves a narrative that combines crime, drama, romance, and social commentary, highlighting the struggle to overcome smoking addiction. The story serves as a wake-up call, urging viewers to reflect on the consequences of such habits.
Cinematography and Visuals:
PLK Reddy's cinematography adopts a raw, unpolished style that aligns seamlessly with the director's vision. Rather than adhering to conventional cinematic beauty, it captures characters in their natural environments, often under stark lighting like top sunlight. This gritty approach enhances the film's realism and dramatic intensity, though it may not appeal to those expecting glossy visuals. While not technically flawless, the cinematography effectively supports the story's emotional core.
Music and Dialogues:
The film's melodious soundtrack elevates the audience's mood, guiding them through the characters' emotional journeys. The songs are a highlight, offering moments of respite amid the heavier themes. The dialogues, though occasionally verbose, pack a dramatic punch, surpassing the conversational style of typical TV series. They amplify the film's emotional and thematic impact, resonating deeply with viewers.
Editing and Pacing:
Editor Raghavendar Pebbeti could have tightened the film's pacing, as some scenes feel protracted. However, as a debut effort, this minor flaw is forgivable and does not overshadow the film's strengths.
Performances:
The lead cast Dhanush Raghumudri, Hebah Patel, Rekha Nirosha, and Ravi Prakash delivers standout performances, with supporting minor cast bringing conviction and passion to their roles. Their portrayals are authentic and engaging, making the characters' struggles and triumphs deeply relatable.
Production and Vision:
Producers Sathya Narayana and Pappu Balaji deserve applause for championing a bold, message-driven story that mainstream producers might shy away from.
Their faith in content-driven storytelling underscores the film's significance, proving that meaningful cinema can thrive with the right support.
Final Thoughts:
'Thank You Dear' is a must-watch for fans of Telugu and Indian cinema who value compelling narratives and passionate filmmaking. Despite minor technical shortcomings, its heartfelt storytelling, powerful performances, and urgent social message make it a noteworthy debut.
Kudos to the cast and crew for delivering a film that dares to challenge societal norms and inspire change.
What's It About, and What's the Takeaway?
'Thank You Dear' follows Satyam, an aspiring director, and Priya, a determined real estate agent, as they navigate love, conflict, and a life-altering tragedy involving a neighbor's infant. The film is a heartfelt exploration of love, accountability, and the devastating impact of smoking- a habit that has become a dangerous trend among Indian youth.
Srikanth's debut reflects his keen observation of this societal vice, portraying its toll on individuals, families, and friends with sincerity and passion.
As a first-time director, Srikanth infuses the film with warmth and authenticity, a rarity in today's cinema. He masterfully weaves a narrative that combines crime, drama, romance, and social commentary, highlighting the struggle to overcome smoking addiction. The story serves as a wake-up call, urging viewers to reflect on the consequences of such habits.
Cinematography and Visuals:
PLK Reddy's cinematography adopts a raw, unpolished style that aligns seamlessly with the director's vision. Rather than adhering to conventional cinematic beauty, it captures characters in their natural environments, often under stark lighting like top sunlight. This gritty approach enhances the film's realism and dramatic intensity, though it may not appeal to those expecting glossy visuals. While not technically flawless, the cinematography effectively supports the story's emotional core.
Music and Dialogues:
The film's melodious soundtrack elevates the audience's mood, guiding them through the characters' emotional journeys. The songs are a highlight, offering moments of respite amid the heavier themes. The dialogues, though occasionally verbose, pack a dramatic punch, surpassing the conversational style of typical TV series. They amplify the film's emotional and thematic impact, resonating deeply with viewers.
Editing and Pacing:
Editor Raghavendar Pebbeti could have tightened the film's pacing, as some scenes feel protracted. However, as a debut effort, this minor flaw is forgivable and does not overshadow the film's strengths.
Performances:
The lead cast Dhanush Raghumudri, Hebah Patel, Rekha Nirosha, and Ravi Prakash delivers standout performances, with supporting minor cast bringing conviction and passion to their roles. Their portrayals are authentic and engaging, making the characters' struggles and triumphs deeply relatable.
Production and Vision:
Producers Sathya Narayana and Pappu Balaji deserve applause for championing a bold, message-driven story that mainstream producers might shy away from.
Their faith in content-driven storytelling underscores the film's significance, proving that meaningful cinema can thrive with the right support.
Final Thoughts:
'Thank You Dear' is a must-watch for fans of Telugu and Indian cinema who value compelling narratives and passionate filmmaking. Despite minor technical shortcomings, its heartfelt storytelling, powerful performances, and urgent social message make it a noteworthy debut.
Kudos to the cast and crew for delivering a film that dares to challenge societal norms and inspire change.
I went to see this movie after watching its dashing trailer, and I remained speechless.
What happened to Hollywood? Why they are using so much VFX and making such a childish movie.
The whole movie happens at the single setting. I mean, the movie doesn't include any real life footage, sets, etc. All chroma, and on top of that Bad Acting. No actors are sweating; there is no glean of perspiration on their foreheads. And what to say about other actors, I never saw such unreal acting. Instead, of live-action, they could have made it in Animation, which would be a much better bait.
This movie sucks on many levels. Acting, Directing, Scripting, Art Direction, and VFX.
I don't know why this movie is so hyped? What a fake movie!
What happened to Hollywood? Why they are using so much VFX and making such a childish movie.
The whole movie happens at the single setting. I mean, the movie doesn't include any real life footage, sets, etc. All chroma, and on top of that Bad Acting. No actors are sweating; there is no glean of perspiration on their foreheads. And what to say about other actors, I never saw such unreal acting. Instead, of live-action, they could have made it in Animation, which would be a much better bait.
This movie sucks on many levels. Acting, Directing, Scripting, Art Direction, and VFX.
I don't know why this movie is so hyped? What a fake movie!
Yesterday I saw the movie Proff. Marston and Wonder Women. I am from India and I never read any comics of Wonder Women, but I saw recently released film Wonder Women directed by Patty Jenkins, character played by Gal Gadot then I became aware of Wonder Women.
After few months, I saw this Proff. Marston and Wonder Women, thinking that a new film of Gal Gadot. But to may dismay, this film came out something else, a biography of Proff. Marston who created the comics of Wonder Women.
But after watching this film, I am really thankful to the director Angela Robinson for bringing out the story of Proff. Marston with such a deep understanding of his personal life and roles played by his wife Elizabeth and partner Olive in the creation of Wonder Women.
The film made a profound impact on me, I tried to find out why is it so, then I realized that the director made the use of DISC Theory that Proff. Marston used in all his life and applied it to his comics character of Wonder Women. Really hats off to the director for this.
I am really amazed by the meticulously crafted screenplay that not only captured the deep psyche of all the characters but also of the audience who do not want to miss a single scene or dialogue. Such a profound work! The script is so alive and written with emotion that we can feel the real characters playing the role.
The actors of the film are really praise worthy, whether it is Luke Evans, Rebecca Hall or Bella and others. They actually lived the script on the screen.
Nonetheless, the film's editor Jefferey Werner is the real hero of this film who brought the whole narrative to its life. He is an impeccable craftsman who has deep understanding of the film structure and montage theory. It requires some special skills to understand these complex characters and bringing their story to life without boring the audience.
I liked the camera work of cinematographer Bryce Fortner, there are no camera gimmicks but just simple and effective framing, no unnecessary emotive angles. The director and cinematographer gave all the freedom to the actors to portray deepest emotion that brings out a great dynamics to the screen. I really admire the scene where Bella wears the Amazonian dress; no special lighting but simple chiaroscuro that brings out all the mood and emotion.
The music by Tom Howe and background score is so effective that it keeps us rooted to our emotional journey. And one of the plus point of this film is its Make up, Costume and Art Direction. These areas are very well managed by the respective departments.
I am really moved by the story and life of Proff. Martson the creator of Wonder Woman. Once again my thanks to Angela Robinson for creating such a beautiful film. I wonder why this film is not nominated for Oscers?
After few months, I saw this Proff. Marston and Wonder Women, thinking that a new film of Gal Gadot. But to may dismay, this film came out something else, a biography of Proff. Marston who created the comics of Wonder Women.
But after watching this film, I am really thankful to the director Angela Robinson for bringing out the story of Proff. Marston with such a deep understanding of his personal life and roles played by his wife Elizabeth and partner Olive in the creation of Wonder Women.
The film made a profound impact on me, I tried to find out why is it so, then I realized that the director made the use of DISC Theory that Proff. Marston used in all his life and applied it to his comics character of Wonder Women. Really hats off to the director for this.
I am really amazed by the meticulously crafted screenplay that not only captured the deep psyche of all the characters but also of the audience who do not want to miss a single scene or dialogue. Such a profound work! The script is so alive and written with emotion that we can feel the real characters playing the role.
The actors of the film are really praise worthy, whether it is Luke Evans, Rebecca Hall or Bella and others. They actually lived the script on the screen.
Nonetheless, the film's editor Jefferey Werner is the real hero of this film who brought the whole narrative to its life. He is an impeccable craftsman who has deep understanding of the film structure and montage theory. It requires some special skills to understand these complex characters and bringing their story to life without boring the audience.
I liked the camera work of cinematographer Bryce Fortner, there are no camera gimmicks but just simple and effective framing, no unnecessary emotive angles. The director and cinematographer gave all the freedom to the actors to portray deepest emotion that brings out a great dynamics to the screen. I really admire the scene where Bella wears the Amazonian dress; no special lighting but simple chiaroscuro that brings out all the mood and emotion.
The music by Tom Howe and background score is so effective that it keeps us rooted to our emotional journey. And one of the plus point of this film is its Make up, Costume and Art Direction. These areas are very well managed by the respective departments.
I am really moved by the story and life of Proff. Martson the creator of Wonder Woman. Once again my thanks to Angela Robinson for creating such a beautiful film. I wonder why this film is not nominated for Oscers?
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