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FuadHalwani

Joined Oct 2009
Fuad graduated from The Lebanese American University in 2011 with a BA in Communication Arts: Radio/TV/Film. From 2011-2017, Fuad worked in Beirut as a videographer, editor, and director. In parallel, he taught theatre and film studies in different schools and workshops as well as participated as a lighting designer in theatre productions around Beirut and the Arab world. Later on, he got exclusively into writing. As a writer, Fuad has participated as a trainer in the Meditalents Workshop 2015 by Fondation Liban de Cinema as well as being a founding member of the collective Scenario Beirut spearheaded by Bassem Breish. After working at Scenario Beirut for 3 years on web-dramas such as The Little Drop (2014-2015), Fuad wrote the mini-series RabihTV (2018), produced by Cinemoz.

In 2019, Fuad earned his MA in Screenwriting from KinoEyes, an Erasmus+ joint Masters degree where he completed his graduation short film BRUXA along with his dissertation on the contemporary TV anti-hero. In the summer of 2019 Halwani took part in the Middle East Media Initiative (MEMI) at the University of Southern California in Los Angeles, USA where he got the chance to take one of his ideas to the writers’ room as well as network with prominent Arab writers from the Middle East. With supported projects currently in development in Lebanon and the MENA region, Halwani is a freelance scriptwriter and alternative tourguide residing between Lisbon and Beirut.
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FuadHalwani's rating
The Time That Remains

The Time That Remains

7.1
9
  • Dec 12, 2012
  • Resistance through silence!

    "The Time that Remains" is by far one of the most well-made and powerful Arab movies (and specifically Palestinian) to date. Elia Suleiman tackles one of the most prominent issues in the Arab world with beautiful imagery, nostalgia, music, and the silent word.

    I usually do not admire having a director act in his/her own film, but Elia Suleiman is his films, they are part of him and his appearance in them as the silent observer simply attacks the emotions and makes the viewer a part of his own life. "The Time that Remains" basically chronicles the life of his mother and father and their 'silent' resistance through the turmoil of the Israeli invasion of Palestine from 1948 till today.

    What is so powerful about this film is that how the viewer (and especially an Arab viewer) can go through a history of conflict so smoothly with much joy and come out with a striking view of this history. Suleiman shows will all simplicity how the cause still loves, without blood, with few words, but with a lot of emotions and things to say. The choice of music (classical Arabic songs) make the viewer understand what the beauty of being an Arab is, and how this beauty is slowly fading... fading into a lack of identity.

    I watched Suleiman's previous film "Divine Intervention" after watching this one and realized that we do have an Arab auteur director in our midst; his playful style and cartoonish characters all the more strengthen his cause and keep on his silent resistance.

    A pure must-see!
    Where Do We Go Now?

    Where Do We Go Now?

    7.4
    5
  • Dec 11, 2012
  • A Lebanese Lysistrata!

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