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lucaajmone-it's profile image

lucaajmone-it

Joined Oct 2009
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings159

lucaajmone-it's rating
Sunday Bloody Sunday
6.910
Sunday Bloody Sunday
Yanks
6.47
Yanks
The Chase
7.18
The Chase
State of Wonder
8.89
State of Wonder
The Tenant
7.58
The Tenant
North by Northwest
8.38
North by Northwest
The Godfather Part III
7.66
The Godfather Part III
Challengers
7.09
Challengers
Queer
6.47
Queer
Conclave
7.48
Conclave
Compulsion
7.49
Compulsion
It's a Wonderful Life
8.610
It's a Wonderful Life
X, Y & Zee
5.87
X, Y & Zee
Fight Club
8.86
Fight Club
Psycho
8.510
Psycho
Notorious
7.910
Notorious
The Americanization of Emily
7.38
The Americanization of Emily
Anastasia
7.06
Anastasia
You Should Have Left
5.44
You Should Have Left
Kimi
6.35
Kimi
Bad Influence
6.35
Bad Influence
Midnight Lace
6.77
Midnight Lace
Vertigo
8.210
Vertigo
Rear Window
8.510
Rear Window
Blonde
5.45
Blonde

Reviews5

lucaajmone-it's rating
8½

8½

8.0
10
  • May 23, 2018
  • The word is Fellinesque,

    Federico Fellini gets Marcello Mastroianni to play him. Yes. Right? Of course. The artistic block is something that Fellini dealt with all his life - Orson Welles once said that Fellini was a great artist with very little to say - that's part of Mastroianni/Fellini's block - He knows where he wants to go but he doesn't know if he has what it takes to get there - then of course the the distractions or excuses whatever you prefer, they are muses, mothers, loves, wives. I was overwhelmed by the access Fellini provides to his own heart and mind and by the audacity and poetry of the film. 8 1/2 stands alone in the virtual mausoleum of world cinema.
    The Suspect

    The Suspect

    7.3
    8
  • Mar 2, 2018
  • A Laughton Treat

    I'm converted to the YouTube cause. If it wasn't for YouTube I may never had seen this jewel, with a performance by the extraordinary Charles Laughton that is nothing short of magnificent. The tenderness of the man! Director Robert Siodmak creates a perfect noir without low blows or gimmicks. Ella Raines is lovely as the object of his affection and Rosalind Ivan is priceless as the awful wife. The last shot is pure Laughton and his personal struggle for integrity. Loved it.
    Wonder Wheel

    Wonder Wheel

    6.2
    8
  • Jan 8, 2018
  • Woman On The Verge

    Kate Winslet gifts us with another extraordinary creation. She gives the Wonder Wheel its heart and soul. Complex, contradictory, infuriating and deeply human. Kate Winslet goes to the epicenter of her character with fearlessness and honesty. Such a wonderful thing to see. I was reminded that acting , this kind of acting, is pure art. There are at least four moments of hers that I know that I'm going to see again and again. I'm not going to to tell you what they are so you can find them yourself without notice. I was puzzled and a bit put off by the casting of Jim Belushi and Justin Timberlake. Not that they are bad no but Kate Winslet is the personification of truth so when you cut from her to Belushi and/or Timberlake is a bit of a jolt. Am I missing something? I thought that in the 40's it could have been, Bette Davis, Eugene Pallette as the husband and Errol Flynn as the writer/lifeguard. Okay enough of that. I will highly recommend to all lovers of great acting not to miss Kate Winslet in Wonder Wheel..
    See all reviews

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