lnunn-572-227504

Guantanamera is a movie that encompasses the genre of a road movie and love story. Gina's Aunt Yoyita from Havana, who was once a famous performer, is in Guantanamera to receive an award. During the award ceremony, she notices her long lost love from 50 years ago, Candido. The relationship rekindles and the two are in love once again. When Yoyita suddenly dies, her body needs to be transported back to Havana. Gina's husband Adolfo, who is an undertaker for the state, takes charge of everything and arranges Yoyita's long complicated journey home. Adolfo is an arrogant abuser who has no respect for his wife. At one point he visualizes himself on top of a statue, as the leader. Accompanied by a driver, Adolfo, Gina, and Candido make the long complicated journey to Havana transporting Yoyita from vehicle to vehicle implementing Adolfo's new money saving plan. During the journey, Gina encounters one of her prior students, a womanizing trucker named Mariano, who has longed for Gina since she was his teacher. The two find themselves running into each other at different points along the way. Is Adolfo worthy of Gina's love, or does Mariano finally win his long lost teacher? The director makes it a point for the camera to show us the lush tropical background of Cuba, as well as the poor, dirty, poverty stricken areas displaying billboards with political messages indicating corruption. During the journey, Mariano and Ramon are seen picking up hitchhikers delivering them, as well as, the product on the bed of the truck. The roads are unpaved and dirty showing the economic hardship of the region. Favors are done in exchange for monetary reward, evidence of economic corruption. The film techniques used are similar to those used in Hollywood. They include the use of brightly lit scenes, with most being filmed outside, using natural daylight. The cinematography was mostly at eye level with a motion picture camera,showing steady, smooth scenes. The film was slow paced but kept my attention.