pillaimk2002

Great Story writing there by Steve. But expected his tremendous input in directing too like in 12 years a slave!

But I am confused whether Steve projected this film on racism or war bcs somewhere he lost the plot in second half...

Was confused who is a better actor? Is it Ronan or Heffernan? Director didn't exploited the tremendous talent of Ronan.

But don't think it's an Oscar material!

The location and cinematography in those war shots in first half is simply amazing!

They say Blitz the word is about rapid bombing in war time. Still it's sad to narrate how painful war affect women and children!

My rating 5/10.

Great acting by Neena, Rehman and Sanju Sivaraman's and his peak performance. The guy is my favourite with multiple mind sets. Just awesome.

"1000 Babies" is a gripping Malayalam thriller that sets a new benchmark in the genre. The series hooks you from the start, offering a binge-worthy experience that keeps you on the edge of your seat. Sanju Sivaram delivers a peak performance, with his character transformation being one of the highlights of the show. His portrayal of a complex, evolving character is commendable and showcases his acting range.

Neena Gupta also shines with a powerful and nuanced performance, adding depth to the emotional layers of the story. Rahman's stylish screen presence further elevates the series, making every scene he is in more captivating.

The central plot is unique and introduces a fresh concept that lingers in your mind long after the series ends. While there are some loopholes in the script, if you don't dive too deep into the finer details of logic, it's an engaging and enjoyable watch.

From the main cast to the junior artists, everyone has done a commendable job, adding to the overall appeal of the series. Despite a few minor flaws, 1000 Babies is a must-watch for thriller fans, setting a new standard for Malayalam thrillers.

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Every story in this collection is happened some decades ago in Kerala or places where Malayaleese for Ved to go for jobs of survival.

Here they all connected emotionally vibrant and alive. The story flows in a way as if the paratagonists are trying to sacrifice something of their life to the betterment of others.

Every tale depicts a painful existence of man woman relations, its narrowing difficulties and sometimes sad endings just to move on.

A Kerala of 1950s to 1990s are the best time where people to people interactions and emotional connections are at its peak. These stories dwelve into the existences of such charectors who just too good for today's world of gadgets, selfishness and unhappiness.

The new generation of mobile lovers should watch these stories several times to understand the pain in which every relation cherish or perish in the sands of time.

Mohanlal did well a chatector done by Madhu in 50s of Olavum Theeravum. Surabhi Lakshmi portrayed a cheroctor of opportunist women in those days of utter poverty!

Mammuttoty tried his best to be there though the role is very brief. Biju Menon portrayed a typical mallu eying for his ancestral property to make his Kerala hating wife happy which is the reality of mallu men who married women who born and brought up elsewhere just to Kerala and its orthodox people's way of life.

Parvathy did full justice to a struggling female who succumb to the patriarchal way of Kerala's gossip mongers and selfish relatives!