tom-810-150081

The trailer and description made me watch this movie, they promised a "Hangover-meets-Guy-Ritchie" flick, and I can tel you, it's nothing like it. Perhaps they meant to say: Hangover-3-meets-Guy-Ritchie-for-a-10-seconds casting-advice-but-with-a-tenth-of-the-budget.

The first scenes of the movie are really thin, not funny, not good, but hey, you should give it shot. From that point on the movie develops in 'chapters' without a hint of a storyline, but with amateurism written all over it. The budget must have been small, I certainly hope for Vinnie Jones that at least he got a nice pay check out of it for the acting and lending his face for the poster.

To be honest, I couldn't watch the whole movie, I reckon that is torture. I did gave it 3 stars for staging it in Lithuania, 2 or 3 nice scenes and average acting performance for some of the actors.

When you are a petrolhead, a 'journey to Le Mans' movie will get you interested. And I am a petrolhead, with some Le Mans experience, and I can tell you this is nothing like a Le Mans experience. It really is nothing more than a personal story of the Jota team. Must be great to see for friends and relatives of those involved in the Jota team, but why releasing it to the general public? It puzzles me. Considering it's not that interesting for petrolheads, fairly boring for motorsport enthousiast and straight-out insulting for documentary fans.

Sure, getting Patrick Stewart (needs no introduction) and Tiff Needell (a car journalist) looks good on the poster, but honestly, the Jota LMP2 team is not that interesting. The documentary contains half kind of interviews with those involved, and half clips of racing action. Le Mans Radio audio-clips are edited to the racing video's to make sure you can follow what's going on with the Jota LMP2 team.

The title of this documentary is misleading and don't get your hopes up about it's quality.

The Swedish House Mafia broke up, no need to sugarcoat it and this film certainly doesn't do that. The movie gives insight in how 3 individuals with different backgrounds got together to create music, and how it evolved from that point, with 'Don't you worry child' as their high-point and last creation. Of course the movie is filled with great images of performances and I know of no other music documentary/film that delivered the party-feeling so well. A few bits are repeated from the previous documentary (Take One), but the main-theme 'one last tour' makes it very different.

I have been to one of the Last Tour performances, and I've been on-stage next to the DJs as part of press-work I did at festivals. The Swedish House Mafia have always been different compared to other DJs of the new generation. They party off-stage but are fully focused on delivering a unique experience for the crowd when behind the turn-tables. In the film this is captured in a great way, while showing the different styles that Axwell, Sebastian Ingrosso and Steve Angello have. This is not only applicable to the music, but also personal lives and role in the Swedish House Mafia collaboration. Steve Angello is the swagger, individualistic character, Sebastian Ingrosso the most stable, funny guy and Axwell forms the heart and glue of the group. A lot of scenes make it obvious why the Swedish House Mafia couldn't stick and why luxury hotels, private jets and nice cars won't bend a negative attitude.

Sadness comes to mind when you need to capture the one and a half hour in a word, however it's something of a frustrating, beautiful sadness.