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Anusha Rizvi has a story to tell and she does it all too un-preachily. No sermons. No grandstands. Her narrative, taking care of every nuance, puts the point right across, and manages to move you. She takes a light- hearted approach to a serious issue. The satire, directed at the media and the government, tends to go tad bit overboard, but is hard-hitting and convincing, for most part. Laudable performances by theatre artists Omkar Das Manikpuri as Natha and Raghubir Yadav as Budhia, (Natha's elder brother). A first timer in the Hindi film industry, Omkar Das is sure to take you by surprise. You may not take to him instantly but his childlike vulnerability and subtle ways, win you over, as the story progresses. Be it his tripping in the gobar, or his confiding in Budhia that he doesn't want to suicide, or the tenderness with which he pats the goat, even as he lies cowering from his own set of woes. (Titbit - Apparently, Rizvi spotted Omkar Das at a play in Bhopal. Until then, Amir was suppose to play Natha) Raghubir Yadav is born to act. He emotes flawlessly. One such scene is where he is arguing with Natha over who should suicide. Within a second, he solemnly vows to suicide, all teary-eyed, in the next, he takes a 'relieved' drag off his beedi, having managed to convince innocent Natha to sacrifice his life ;) From the grouchy (yet entertaining) amma (Farookh Zafar), to Natha's nagging wife Dhaniya (Shalini Vatsa); from the B-grade Hindi news channel correspondent Deepak, to the stoic English news channel reporter Nandita (Malaika Shenoy), it's a perfect cast all the way. The film gets drab and predictable in parts but manages to leave an impact, nevertheless!

A tale of two gangsters in the city of Mumbai....err.. Bombay! Once upon a Time...., set in 70s, shows Sultan Mirza's (Ajay Devgan) rise to power and his ultimate demise after his opponent Shoaib (Emraan Hashmi), defies to oust him. The film transports you to the Mumbai then. The 70s (cliched) film dialogues, the bling and peppy numbers of that era, the look, the costumes (flared bell-bottoms) and, most importantly, the simplicity of the narrative. Sultan, a smuggler, gangster, I felt, was a less-sauve Subhash Nagre (Amitabh Bachchan in Sarkar) of sorts, a benevolent godfather-like figure to the oppressed. He may not have the Bachchan-like persona but manages to impress all the way. Be it as a mobster or a lover. His 60- second scene where he woos Rehanna (Kangana Ranawat) is to watch out for, besides many others. Kangana, in her '70s-film actress' role, is petite and pretty. Her dialogue delivery is clunky at times (which I have noticed in other films too). Imran, as a chindi-chor in his childhood (the kid was impactful with his dialogues), is as convincing as the wannabe-Sultan Mirza in his youth. You'll see traces of his serial kisser-image, but he manages (mostly!) to go beyond and make you forget that with his convincing young-blooded rebel act. But then, again.. We have seen him in similar roles before. A small-town chap wanting to make it big, by unlawful means! Jannat? Anyone? The 22 year-old Prachi Desai (opposite Imran) pulled off her role (whatever little) pretty smoothly for a one-film old actress. Randeep Hooda is striking as ACP Agnel Wilson. The name R Hooda sounded familiar but my failure to recall got me googling it. Sushmita Sen's ex boy-friend! Randeep's other films include Monsoon Wedding (2001) and Ram Gopal Verma's 'D' (2005). Haven't seen both of those, but in OUATIM, he's definitely good. All in all, the film has its set of clichés, in terms of dialogues for its 70s setting, but is certainly a one-time watch!