juanandrichard

Considering what was happening on the world stage at the time this movie was made (i.e., The Berlin Airlift), it was becoming unfortunately clear that the Soviet Union was not an ally anymore and RKO probably thought this a timely subject. The cast is first rate and I found the narrative interesting. A couple of corrections from other postings: Lorraine Day was not lent out by MGM. Her contract ended in 1945 and she signed with RKO (on a non-exclusive basis)which was fortunate as it allowed her to illustrate her abilities as an actress in a much wider range of movie: "The Locket," "Tycoon," "My Dear Secretary," and this movie. The second correction is that this was not a "B" movie. It seems that a few reviewers confuse what they consider "B" content with how a movie is advertised/presented in its theater engagements; this was not a second feature. I also believe that RKO was every bit as proficient, stylish and accomplished in the movies they chose to make as was MGM. As for Robert Ryan, what can one say about this great actor that has not been said before.

Maureen O'Hara once told me that no studio photographed her to better advantage than RKO and, after seeing this movie once again, I have to agree. I also found it refreshing to see her play a role different from what was usually expected of her. John Garfield is always wonderful, but for me the most interesting character was that played by the great Walter Slezak. This actor dominates every scene he is in and should be remembered and appreciated as much as other similar greats such as Sydney Greenstreet. As for the story, I think this is an example of style trumping narrative. The RKO style (camera, sets, art direction, etc.)was second to none and for those of us appreciative of such visuals, this movie is a treat.

Contrary to what some previous reviews have stated, Susan Hayward was not first billed; Robert Young was the top billed player. Cast against his usual type of role, Robert Young was perfect in the role. Comparing him to how other actors might have played the role makes no sense to me, except as an exercise in "armchair casting". The standout for me in the actresses was Rita Johnson, who was terrific. A most underrated actress (catch her in "The Big Clock"). Jane Greer was a truly beautiful woman, and it is a shame that she never achieved the heights of stardom that others did. Susan Hayward, on her way up the ladder, was as always a knockout - this is my personal favorite period for her (including "Deadline At Dawn") I thought the picture was almost perfect, full of irony and suspense. As always, the RKO cinematography is second to none. What a look those RKO movies had!