sayyourworst
Joined Apr 2011
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sayyourworst's rating
At this point in my review, her show has only one episode that aired just days ago. I followed her stand-up comedy prior to her notorious appearance as the host of the 2018 White House Correspondents Dinner. It seems like many people just know her for just that and not her previous comedy. Because of the WHCD, it seems like her comedy is polarizing for many.
To clarify her previous comedy, she has a great deal of jokes revolving around her voice. It's screechy and annoying, but part of her act. Anyone shocked to hear it on her new show clearly have never seen her stand-up routines.
Now for her new show: It isn't all that bad and it is in need of improvement. Her jokes are raunchy, which is entirely within her normal comedy routines. Her comedy is much like many of the great comics in the form of shock comedy. It is meant to push the lines, and make you laugh and widen your eyes to how much it pushes the boundaries. That was the good part of it.
The DJ (why?): The DJ is introduced in her monologue. All he is good for in the entirety of the show is to nod, smile and laugh at times while on camera. That's it. This really seems like the producers wanted to make the show seem more like nightly live television shows like Fallen, Colbert and Kimmel. However, this show is just 30 minutes long and once a week. There is no need for DJ personality other than to fill in time. This show is on Netflix, so there aren't commercial breaks where the audience is just sitting for dead time. The DJ is a forgettable character.
The break-away segments: I'll just come out and say her show is trying to be the female version of Last Week Tonight with John Oliver with these break-away segments. Last Week kills it with their break-away segments, but The Break falls short. The CGI graphics for effects are horrible. Two of the three break-away segments were forgettable.
Overall: Though the show has only one episode, it does need improvements. It's a half hour that could benefit from some pruning of needless things. There is no need for a DJ. The break-away segments need better writing and execution. This isn't a daily show, so these issues shouldn't be too hard to address.
To clarify her previous comedy, she has a great deal of jokes revolving around her voice. It's screechy and annoying, but part of her act. Anyone shocked to hear it on her new show clearly have never seen her stand-up routines.
Now for her new show: It isn't all that bad and it is in need of improvement. Her jokes are raunchy, which is entirely within her normal comedy routines. Her comedy is much like many of the great comics in the form of shock comedy. It is meant to push the lines, and make you laugh and widen your eyes to how much it pushes the boundaries. That was the good part of it.
The DJ (why?): The DJ is introduced in her monologue. All he is good for in the entirety of the show is to nod, smile and laugh at times while on camera. That's it. This really seems like the producers wanted to make the show seem more like nightly live television shows like Fallen, Colbert and Kimmel. However, this show is just 30 minutes long and once a week. There is no need for DJ personality other than to fill in time. This show is on Netflix, so there aren't commercial breaks where the audience is just sitting for dead time. The DJ is a forgettable character.
The break-away segments: I'll just come out and say her show is trying to be the female version of Last Week Tonight with John Oliver with these break-away segments. Last Week kills it with their break-away segments, but The Break falls short. The CGI graphics for effects are horrible. Two of the three break-away segments were forgettable.
Overall: Though the show has only one episode, it does need improvements. It's a half hour that could benefit from some pruning of needless things. There is no need for a DJ. The break-away segments need better writing and execution. This isn't a daily show, so these issues shouldn't be too hard to address.