best-review
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Ratings5.9K
best-review's rating
Reviews269
best-review's rating
This ain't a full review, just me vibin' and sharing my thoughts. The story is dope, the characters and their journey keep you hooked, and the screenplay is tight. The narration style pulls you in, and the direction? Straight-up fire-exactly what we'd expect from Paul Thomas Anderson.
The whole cast brings it-DiCaprio and Sean Penn absolutely kill it, while Regina, Chase, and Teyana shine too. Locations and sets look on point, cinematography is slick, and the background score hits just right. Overall, it's a solid big-screen experience-def worth catching in theatres.
And hey, side note-if you're into crime thrillers, check out the Indian mini-series "Brinda". Low budget, but mad engaging with some wild twists.
The whole cast brings it-DiCaprio and Sean Penn absolutely kill it, while Regina, Chase, and Teyana shine too. Locations and sets look on point, cinematography is slick, and the background score hits just right. Overall, it's a solid big-screen experience-def worth catching in theatres.
And hey, side note-if you're into crime thrillers, check out the Indian mini-series "Brinda". Low budget, but mad engaging with some wild twists.
The film's narrative may appear intriguing on the surface, though it carries within it a set of contradictory elements. The first half is undeniably engaging, yet certain sequences lean toward the illogical. The extended flashbacks, while ambitious, occasionally test patience, and the latter half drifts into clumsy and less-inspiring territory. The climax, though designed to deliver a sense of grandeur and satisfaction, carries undertones of misdirection and mild propaganda.
That said, the film is not without its sparks of brilliance. Some moments feel whimsical, almost frivolous, while others deliver an exhilarating cinematic high. The decision to intertwine King Ashoka-a Buddhist emperor-with references to Lord Ram feels rather unconventional, akin to blending Egyptian deities into the tale of King Solomon. Yet, viewed as fictionalized commercial entertainment, such liberties can be indulged with ease.
Performances across the board are earnest, with Shriya Saran offering a commendable act though she certainly had room to elevate her portrayal. The cinematography is nothing short of spectacular, enriched by thoughtfully designed costumes, grand sets, and meticulous makeup. The background score adds commendable weight, and the VFX oscillates between strikingly impressive and underwhelming.
In the end, this film is a curious blend of contradictions, ambition, and spectacle. If the promos have piqued your interest, it is worth experiencing on the big screen.
That said, the film is not without its sparks of brilliance. Some moments feel whimsical, almost frivolous, while others deliver an exhilarating cinematic high. The decision to intertwine King Ashoka-a Buddhist emperor-with references to Lord Ram feels rather unconventional, akin to blending Egyptian deities into the tale of King Solomon. Yet, viewed as fictionalized commercial entertainment, such liberties can be indulged with ease.
Performances across the board are earnest, with Shriya Saran offering a commendable act though she certainly had room to elevate her portrayal. The cinematography is nothing short of spectacular, enriched by thoughtfully designed costumes, grand sets, and meticulous makeup. The background score adds commendable weight, and the VFX oscillates between strikingly impressive and underwhelming.
In the end, this film is a curious blend of contradictions, ambition, and spectacle. If the promos have piqued your interest, it is worth experiencing on the big screen.
The basic idea of the plot may have had potential, but there's absolutely nothing new here. Story development is poor and riddled with clichés, while the narration follows such an outdated template that you can predict almost every scene. The second half, in particular, is downright unbearable.
On the technical side, production values aren't impressive, cinematography feels weak, and though the music is okay, the action sequences are overloaded with unnecessary violence.
Performance-wise, Anushka gives her best, but it often comes across as overacting. To make matters worse, the VFX work used to slim her body and enhance her face makes her look oddly artificial-almost like a different person in some shots. Chaitanya, cast as the villain, doesn't fare any better; both his looks and performance fail to convince. The rest of the cast follow the same overdone tone.
Overall, this film squanders whatever little promise it had. Unless you enjoy clichés, artificial performances, and loud action, I wouldn't recommend watching it.
On the technical side, production values aren't impressive, cinematography feels weak, and though the music is okay, the action sequences are overloaded with unnecessary violence.
Performance-wise, Anushka gives her best, but it often comes across as overacting. To make matters worse, the VFX work used to slim her body and enhance her face makes her look oddly artificial-almost like a different person in some shots. Chaitanya, cast as the villain, doesn't fare any better; both his looks and performance fail to convince. The rest of the cast follow the same overdone tone.
Overall, this film squanders whatever little promise it had. Unless you enjoy clichés, artificial performances, and loud action, I wouldn't recommend watching it.