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semper_tenera

Joined Jul 2011
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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  • Edward Norton and Naomi Watts in The Painted Veil (2006)
    several years in movies
    • 120 titles
    • Public
    • Modified Aug 13, 2011

Reviews3

semper_tenera's rating
Goth

Goth

6.0
  • Sep 13, 2011
  • just your typical, indifferent ( cruel, Gothic, whatever you want) teenagers

    Loft

    Loft

    5.5
  • Sep 13, 2011
  • Painful hallucination

    This is a movie that requires a certain mood. It is dark, morbid, reluctant to show more than you need, very silent at times, very slow developing, it has enough predictability not to give you goosebumps... and that sums it up. what made me give it an average vote wasn't necessarily the movie, but the trailer. the movie was bearable, quite beautiful. about the trailer... then well, it could have been worse than that, with that pop song going through the middle made it look like a pastiche. I hate it how a bad trailer can set the mood wrong for such a serious movie. I know better when to criticize and when to shut up, but this had to be spilled.

    the dialogue isn't complicated. it has a few memorable lines, but they are all contextually related, like the one that says I'll throw everything but you. it seeps with silence, hatred, regret and misunderstanding.
    Innocent Lies

    Innocent Lies

    4.5
  • Aug 8, 2011
  • breaking a taboo, becoming a taboo

    I tend to like movies like this one- quiet, destined to be seen on TV late at night after some red wine to quench insomnia. Yeah... some called it a bore, but so was Mansfield Park...to an extent. it's been quite a while since I have seen it and the details are a bit fuzzy, but if a movie of its rank made it in the realm of my daily wanderings, then it has to have at least one quality. Maybe I liked the setting,the cold morning air-the blue air that conveys darkness and mystery to most Poirot series or the landscapist pov it offered at times just to be changed with the eye of a mute detective at others. I almost liked those, but not quite. Being very fond of art, this movie reminded me of Tamara de Lempicka's paintings: very art deco, showing us more than just a glimpse of the 30s aristocracy, very daring without excelling in creativity. just that. the ending was unsurprising,not really a letdown but the deranged late 30s atmosphere, the uncontrollable animalism depicted in different character liaisons saved it.

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