deborahjwood

I direct you to the plethora of reviews that point out the hilarity of the script, plot lines, acting, and stunts, the absolute impossibility of the political implications, horrible technicals in climbing (gear clothing, physical fitness, NO Sherpas, the EMP, ad infinitum) ALL add up to a totally ridiculous jaunt up a mountain chasing a glow in the dark Rubik's cube upon which the fate of the world rests.

All that being said NUMEROUS times, there is some magnificent footage of the mountains, avalanches, breathtaking, sweeping vistas that will either excite you, kick your death wish sporting sense into overdrive, make you wonder how on God's 3rd rock from the sun ANYONE considers mountaineering FUN BUT will across the board make you feel small and leave you awe struck.

If you go into this with a coupla joints, a bucket of salty buttery popcorn, a Big Gulp and absolutely nothing else to do on a cold rainy day you will not feel like you've been robbed of 90 minutes of your life -- It is what it is - a piece of straight to DVD B grade fluff made to entertain, not educate you on WMDs, mountain climbing, global political relations, or American clichés (and there are 85 minutes of clichés) - if you are looking for American Oscar worthy films, BAFTA contenders or even Golden Globe potential -- MOVE ON. if you like a train wreck of a film that will, if nothing else, entertain you - it's worth a watch... and ladies, you gotta admit the guys are HOT.....

This story line had so much potential with domestic abuse, redemption, love, family, but the screen writers TOTALLY missed the mark - Josh Duhamel does a decent job - not the vacuous role he is usually placed in and pulls off more than a pretty face here - David Lyons as the alcoholic Detective Tiernny and abusive husband of Hough shined - he seems made for bad guy roles - Julianne Hough - I think the girl has some potential as actor given a more meaty role but as stated this was painfully drawn out with idyllic lazy southern settings where IMPOSSIBLY in a town of 2000 no one questions the appearance of a newcomer and in fact embraces her without question (being from the south - that "ain't" how we operate - if you are in town for more than 48 hours we know everything about you if we have to pry it out with a velvet crowbar), impossible circumstances, clichés enough to fill a NY phone book. Oh how I wish they'd made the most of this story line.

All of this being said - the last 40 minutes was great and the ending? TOTALLY unexpected - right out of left field - loved it - knowing what I know now I would watch the first 20 minutes to get the lay of the land and characters, then skip to 108 and watch to the end. Sadly I cannot give this more than a 3 thanks to an awful job by the screen writers.

First let me say that one thing I LOVED about this film was the use of sound to set the mood - not noise and music but common every day sounds - the clinking of glass, the slamming of a cell door, the creak of a windmill the squeak of a child's swing, tires on pavement on and on -- and in moments when they were magnified -- just brilliant use of the ordinary to create the extraordinary.

On the whole, I am usually not too taken with foreign made (outside the USA & Canada) films so went into this with the idea I'll give it a few minutes - it's free on Netflix so nothing ventured nothing gained. Not being familiar with any of the actors my first reaction to Swaziland born Grant was Milquetoast - however, his passion in the role and believability took me quite by surprise - effective as an obsessed investigator looking into the brutal murders of three young girls. When, in a game of political chess, the wrong man is accused and commits suicide, effectively closing the case to further investigation, he leaves the department and personally takes the investigation to surprising lengths. Soliciting the help of a psychologist and his access to computers, he narrows down a locale to ferret out the perpetrator. He meets a homeless young mother (outstanding acting by Lynsey Baxter (The French Lieutenant's Woman))and sets her up as his housekeeper secretly using the daughter (a young Perdita Weeks) as bait.

The story effectively plays his obsession with nailing the homicidal pedophile against his growing affection for both the mother and daughter and he does a fine job of drawing you in to the conflicting emotions while leaving you unsympathetic to his using a child as bait for a serial killer. The killer is really rather brilliantly (and sickeningly) portrayed by the late Simon Cadell - Nice character development and surprisingly good insight into how a pedophile sees the world - a struggling mom in a war torn region protecting the innocence of her child, a detective who cannot let go despite the potential for heartbreaking results, a brilliant serial killer, all make for an edge of your seat thriller for the most part. Hauntingly beautiful locales in he Czech Republic. Drags in a few places but well worth a watch.