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kim-de-windter's profile image

kim-de-windter

Joined Aug 2011
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings6.3K

kim-de-windter's rating
Pandemic: How to Prevent an Outbreak
6.41
Pandemic: How to Prevent an Outbreak
Goliath Awaits
6.66
Goliath Awaits
Trap
5.82
Trap
Hitchcock
6.85
Hitchcock
C.P.W.
7.05
C.P.W.
White Woman
6.17
White Woman
Who Killed Teddy Bear
6.75
Who Killed Teddy Bear
There's Something About Miriam
3.61
There's Something About Miriam
Trapeze
6.86
Trapeze
Under Eighteen
6.67
Under Eighteen
Some Kind of Wonderful
7.05
Some Kind of Wonderful
The Hangover Part II
6.54
The Hangover Part II
The Hangover Part III
5.95
The Hangover Part III
The Victim
6.23
The Victim
Phil Spector
6.27
Phil Spector
The Crush
5.85
The Crush
The Yesterday Machine
3.91
The Yesterday Machine
Stranger Things
8.61
Stranger Things
Espiritismo
5.23
Espiritismo
Midnight
5.53
Midnight
Feud
8.35
Feud
Baby Reindeer
7.77
Baby Reindeer
BoJack Horseman
8.84
BoJack Horseman
Evil Dead Rise
6.54
Evil Dead Rise
Saw X
6.65
Saw X

Reviews8

kim-de-windter's rating
Once Upon a Time... in Hollywood

Once Upon a Time... in Hollywood

7.6
1
  • Jul 30, 2019
  • Embarrassing, boring, ridiculous, bad

    A deluded hodge podge of historical inaccuracies and montages of "good old Hollywood "

    Trying to keep the ending under wraps is probably the only way anyone will watch this next installment in Tarantino's barrage of violent hallucinations.

    The first 60 mins could be cut without "diminishing" the thin plot, the rest of the movie , which feels like another 180 mins is.. well.. forgettable, slow, violent, disgusting, dull and a simple waste of time..

    Definitely not for fans of Sharon Tate, whose portrail is admittedly better than in other movies touching on a dark chapter in history, yet doesnt rise above mediocre and remains deliberately two dimensional throughout the movie.

    And, yes, the (highly inaccurate) depiction of drug use is sure to induce some misguided attempts of emulation by severval people who will surely share those in the respective online message boards with the world soon.

    Considering Tarantino's popularity, another byproduct will likely be a whole generation of misinformed fans, who will never know the real facts, therefore living an existence mercifully free of the ravages of truth.

    When a movie about one of the most grisly events in recent history is made, and theres laughing in the movie theater, it's obvious something is amiss.

    As intentional as this might be, it leaves one in utter disbelief that in today's world this will be hailed the next cinematic masterpiece.
    The Man Who Lost Himself

    The Man Who Lost Himself

    5.9
    2
  • Sep 28, 2011
  • pity...

    real pity

    this movie could have been rather good. they had Kay Francis and Brian Aherne, even Nils Asther..

    10 minutes into the movie its painfully obvious that this has something of a Helen Keller Musical.

    there's no direction, the plot is dull and stupid and the actors don't seem to have been given a script before shooting.

    they should have simply made a romance with Kay and Nils in the leads.. that i would have liked to see.

    this movie is an infuriating waste of talent, time and money
    Evenings for Sale

    Evenings for Sale

    6.5
    7
  • Sep 23, 2011
  • isn't it romantic..

    isn't it romantic.. yes it is..

    i was quite surprised by this movie. its not a milestone, nor the greatest movie ever made.. but it is good. the whole plot is not highly original, and the whole 30 minutes in the middle are quite forgettable. Sari Maritza, well, don't be surprised if you never heard of her, in her case there's a good reason for it.

    anyway, there's Herbert Marshall and Mary Boland. the scenes between them are fresh, modern and interesting. Herbert Marshall, well, i never knew how attractive he was, until i saw him in this movie.

    some impressive camera work and the MOST BEAUTIFUL MOVIE KISS that i ever hope to see make this movie a definite must.
    See all reviews

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