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pauhaa

Joined Sep 2011
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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pauhaa's rating
Ferris Bueller's Day Off

Ferris Bueller's Day Off

7.8
2
  • Nov 12, 2018
  • For Cameron, for Jeanie

    Florence Foster Jenkins

    Florence Foster Jenkins

    6.8
    6
  • Oct 17, 2018
  • Entertaining but loses much of the complexity available

    I think describing FFJ as "the worst singer ever" is unimaginative and also missleading. She was after all someone who took the probably enormous trouble to learn arias that would take great skill and technique to master. They are not easy to sing "badly", or to even get through at all. Consequently Meryl Streep's vocal performance here is amazing. But the film shows some lack of imagination as well: how about the mystery of how aware Jenkins really was of the quality of her singing, which could hardly be described on a simple axis from bad to good? Also, wasn't Jenkins herself active in creating her own little bubble of audience and her public persona? Here, St Clair Bayfield is shown as single-handedly managing and protecting her, which creates a dynamic both troubling and simplistic.
    Bridget Jones's Baby

    Bridget Jones's Baby

    6.4
    4
  • Dec 13, 2016
  • For the fans, if they'll have it

    Why did I watch this? I can't say I was ever a fan, I never read the books, but I have seen the original film many times. I re-watched it not long ago, and had to admit it had worn out for me, but that's probably my own fault. It's not meant to be seen every holiday season. Still, it has very good timing and it's bittersweet. Bridget Jones' Baby doesn't and isn't. It's dragging and it would make absolutely no sense to anyone not familiar with the first ones. The millennial characters are unfunny and implausible, the writing there is both patronizing and eager to please, like me following my friend's teenage son on Instagram and commenting YOLO. Pussy Riot and cats that look like Hitler... and the next minute jokes about human rights violations... So, I actually watched for the experience of a 40+ pregnant woman, of any glimpses of successfully acted emotions. And for Colin Firth, and possibly Emma Thompson, although I think I'd now like to forget she has screenplay credit in this. But still, what happened? Was everyone an amateur? It was like the characters from earlier films were all doing cameos. Renee Zellweger was playing herself playing her character 12 years later. No, she was standing in for herself in that role. Her voice was often barely audible, like she was really, really tired.
    See all reviews

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