stephenlfrance
Joined Oct 2011
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stephenlfrance's rating
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stephenlfrance's rating
The Batman franchise is currently dominating every single form of media there is. From the incredible Arkham Asylum videogames, the Christopher Nolan revamped films, to the recently developed animated sagas, Batman is performing beyond all other comic-book heroes.
Ironically, he is one of the only graphic novel characters I appreciate more in my maturity, due to the story's vast amount of themes and ideas.
Batman: Under the Red Hood 2010 was perhaps the most enthralling animated film since the famous Batman: The Mask of the Phantasm 1993, so I greatly anticipated Batman Year One.
This film retells the story of one of the most famous fictional crime- fighting partnerships ever created. Batman and police official Lieutenant James 'Jim' Gordon.
When I heard Jim Gordon was going to be one of the protagonists, I had my reservations. I should have known better. This movie did not disappoint. In fact, it was far the opposite.
The plot follows both characters with their respective stories: Bruce Wayne, boy billionaire returns to Gotham City after being absent for many years following his parent's murder. He is lost and seeking a path to cope with vengeance. His transformation into the dark avenging angel Batman is the crux of the plot.
Running parallel, Jim Gordon is a honourable police officer joining a corrupt authority in Gotham City's Police Department. His durability in pursuing his career, regardless of the crooked cops he is surrounded by form his intriguing story.
There were specific points that illustrated the relentless will-power of each character. The first sighting of Batman revealed his character defining raison d'etre – his upkeep of justice as opposed to vengeance, and his preservation of human life over killing: He knocks a man off a balcony, but holds onto his leg. The expression of this point emerged from the beating he receives from two other thugs as he maintains his grip of the criminal who could die if he lets go.
Jim Gordon's most challenging moment was his perseverance in the police force, following a remorseless physical attack from his work colleagues.
The professionalism of the directors and producers was shown through their selection in voice actor Ben McKenzie for Batman. The dialogue, inner monologues and delivery portrayed a young Batman just commencing his crusade on crime and it worked.
The film is definitely worth watching if you are a Batman fan, but I would never recommend this as a general crowd pleaser. Animations are often seen as childish cartoons and understandably, they are shunned by adult audiences. If Batman is perceived as a kid's passion, then consider me a big child, because I cannot ever imagine disliking this character nor ignoring any of the films, be it live action or animation.
Nevertheless, if you do like 'the dark knight', then add this to the hit-list.
Ironically, he is one of the only graphic novel characters I appreciate more in my maturity, due to the story's vast amount of themes and ideas.
Batman: Under the Red Hood 2010 was perhaps the most enthralling animated film since the famous Batman: The Mask of the Phantasm 1993, so I greatly anticipated Batman Year One.
This film retells the story of one of the most famous fictional crime- fighting partnerships ever created. Batman and police official Lieutenant James 'Jim' Gordon.
When I heard Jim Gordon was going to be one of the protagonists, I had my reservations. I should have known better. This movie did not disappoint. In fact, it was far the opposite.
The plot follows both characters with their respective stories: Bruce Wayne, boy billionaire returns to Gotham City after being absent for many years following his parent's murder. He is lost and seeking a path to cope with vengeance. His transformation into the dark avenging angel Batman is the crux of the plot.
Running parallel, Jim Gordon is a honourable police officer joining a corrupt authority in Gotham City's Police Department. His durability in pursuing his career, regardless of the crooked cops he is surrounded by form his intriguing story.
There were specific points that illustrated the relentless will-power of each character. The first sighting of Batman revealed his character defining raison d'etre – his upkeep of justice as opposed to vengeance, and his preservation of human life over killing: He knocks a man off a balcony, but holds onto his leg. The expression of this point emerged from the beating he receives from two other thugs as he maintains his grip of the criminal who could die if he lets go.
Jim Gordon's most challenging moment was his perseverance in the police force, following a remorseless physical attack from his work colleagues.
The professionalism of the directors and producers was shown through their selection in voice actor Ben McKenzie for Batman. The dialogue, inner monologues and delivery portrayed a young Batman just commencing his crusade on crime and it worked.
The film is definitely worth watching if you are a Batman fan, but I would never recommend this as a general crowd pleaser. Animations are often seen as childish cartoons and understandably, they are shunned by adult audiences. If Batman is perceived as a kid's passion, then consider me a big child, because I cannot ever imagine disliking this character nor ignoring any of the films, be it live action or animation.
Nevertheless, if you do like 'the dark knight', then add this to the hit-list.
The introduction to the story reveals a young girl, institutionalised in a mental hospital by her abusive step father. Her imagination fortifies a paranormal world in her mind as both a means of survival and strategy for escape.
This film is very abstract in nature.
Initially, the plot's direction is obscure as our protagonist appears to transcend three worlds: The first where she is institutionalised in an asylum for the insane; the impression denoted by this world is that it is reality.
In the second place, she is slave to the desires of a high-class brothel; it is not clear in the beginning whether this is her subsequent venture from the asylum or her imagination.
The third is a land, depicted as a place in her mind – a world where anything is possible, from gravity defying Martial Art skills to supernatural antagonists. The music used during transcendence into this alternate universe is unusual, but addictive. The scenes are action- packed and intriguing as the audience is brought to question what this world represents.
Arguably, this film script forms a unique version of the famous Alice in Wonderland tale. It is an enigma throughout the duration, it sustains suspense regarding the conclusion and the ending is a valuable lesson.
This is not an amazing film, but I would definitely recommend it for its enjoyment factor.
By Stephen Leslie France
This film is very abstract in nature.
Initially, the plot's direction is obscure as our protagonist appears to transcend three worlds: The first where she is institutionalised in an asylum for the insane; the impression denoted by this world is that it is reality.
In the second place, she is slave to the desires of a high-class brothel; it is not clear in the beginning whether this is her subsequent venture from the asylum or her imagination.
The third is a land, depicted as a place in her mind – a world where anything is possible, from gravity defying Martial Art skills to supernatural antagonists. The music used during transcendence into this alternate universe is unusual, but addictive. The scenes are action- packed and intriguing as the audience is brought to question what this world represents.
Arguably, this film script forms a unique version of the famous Alice in Wonderland tale. It is an enigma throughout the duration, it sustains suspense regarding the conclusion and the ending is a valuable lesson.
This is not an amazing film, but I would definitely recommend it for its enjoyment factor.
By Stephen Leslie France