velvetkevorkian610

The real twist here is that for more than a decade M. Night Shyamalan has built up a beautiful fecal mountain of great terrible movies, then marketed The Visit as possibly the holy apex of said ****-mountain, and somehow the movie turned out to be his non-ironic best since the days his name wasn't considered a joke. I feel like every movie he's released since Signs has been a piece of performance art leading to this ultimate mind bending twist ending where the movie with the worst trailers possibly ever turned out to be decent.

Bravo, Mr. Shyamalan.

The real key here is that Shyamalan has finally shed the comically serious attitude all his movies have had to this point. The Village, The Happening, Devil; they were all ironic comedy gems because the tone was so serious but what you saw on screen was an absolute joke. This movie incorporates a lot of intentional comedy that has you laughing WITH the characters rather than at them. The dialogue is Shyamalan's best probably ever. So you bond with the characters and enjoy yourself. Then when the suspenseful moments come, you are surprised that you actually care about the characters and the suspense is working. The twist was obvious and you could forecast it a mile out, but with Shyamalan you can't really avoid that.

Overall, it's no masterpiece of course, but as an ironic Shyamalan lover over the past 10 or so years, I can confirm that I actually agree with his non ironic fans who are calling this his return to form. The trailers are extremely misleading and the movie is nowhere near as ridiculous as the "Get in the oven" trailers would have you believe. Solid 7/10.

I just finished watching this movie and it wildly exceeded my expectations. I have a lot to say about it, but to make this review useful for the greatest amount of people possible, I'll summarize first: This movie is awesome for anyone looking for a fun, campy horror flick with crazy elements at every turn that keep it fresh and interesting. The most perfect example I can think of of riding the line between believable and over the top. For well-versed fans of horror history and genre tropes, simply a must see.

What makes this movie so great for me is a combination of two things. The first thing is obvious talent and knowledge on the part of the filmmakers who put so much thought into this film. I went into this movie thinking it was going to be pure trash; a slasher film with a gimmick to cash in on the trend gaining steam during this time. But it's so much more. The people behind this film didn't just see "Friday the 13th" and think, "Psh, I can do that," and pump out a piece of crap like many movies from this era. The film is full of homage to its inspirations, some of my favorites being the black leather gloves of Italian Giallo films, a direct reference to what has to have been a huge inspiration to the filmmakers, Hershall Gordon Lewis' "Blood Feast," and even pretty much straight lifting the "Jason's near" sound effects from Friday the 13th. For a rabid horror fan with solid knowledge of certain motifs, this film has something for you in every scene.

The other thing that will make this film enjoyable even to those who aren't necessarily horror enthusiasts is the perfectly executed comedy. I feel no shame calling it comedy because if these guys loved "Blood Feast" enough to literally name drop it in this movie, they knew exactly what they were making and how funny it was. The movie is actually completely played straight, to the point where you could reasonably believe everyone was serious throughout the filmmaking process. That's what I mean about it perfectly riding the line between believable and absurd: its not plain goofy to where you know its a big joke, but everything that occurs on screen is absolutely wild. The characters are ABSURD. Every one of them is strange and funny in some way. The situations they are put in are almost even better. Our killer will don quite a variety of disguises in his quest to get the perfect midnight kill, and the hijinks that ensue are practically fit for a straight comedy film. I can't think of one scene that I didn't find entertaining. The camp is just oh so perfect.

Besides these specific areas in which the film excelled, there are plenty of more general compliments to give it. For one, I really enjoyed the pacing throughout. Many of the more obscure slasher flicks I've seen rely so hard on just one gimmick, it can get really dull really fast, but this one stays fresh with plenty of things that mix up the circumstances throughout. The pacing is also helped by the fact that the killer actually has a goal. He's specifically after just one person, and each other person is just a step towards his endgame, creating anticipation and tension. He's not picking off kids one by one for no reason. Rising action is good for plots. Other horror writers of the time should have taken note.

That's ultimately one of the big ideas I'm left with after watching this film. Why didn't this film have more of an impact than it did? Why is it so obscure? Why is it not a major cult classic? The only answer I can think of is that too many people had the same expectations as I did before seeing this film. Everything about the way it looks on the outside makes it seem like it's just another gimmicky cash-in slasher of the time; nothing special. Maybe if it wasn't advertised so strongly on the New Years gimmick it would have a larger cult following. Whatever the case, you absolutely have to trust the old cliché in this case and do not judge this film just by the cover. It's a hidden gem.